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19 de mar. de 2011 · Exodus, or the voluntary prisoners of architecture. March 19, 2011 by Fosco Lucarelli 26 Comments. Rem Koolhaas ‘ 1972 Architectural Association thesis (together with Madelon Vreisendorp, Elia Zenghelis, and Zoe Zenghelis). Like in West Berlin at the time, the Wall becomes here a condition of freedom by self imprisonment.
Rem Koolhaas. Exodus is a proposition, not a built project. To Koolhaas, our world is a phantom world that bears little resemblance to reality. A social commentary about the state of global London, Exodus is an ideological project in narrative, collage, and drawing form.
Exodus, or the Voluntary Prisoners of Architecture, is a series of eighteen drawings, watercolors, and collages produced by Rem Koolhaas, Madelon Vreisendorp, Elia Zenghelis, and Zoe Zenghelis. Animated by a text that reads as a simultaneously factual and fictional scenario for the contemporary metropolis, this dense pictographic storyboard ...
Projeto “Exodus". Autores: R. Koolhaas, M. Vriesendorp, E. Zenghelis e Z. Zenghelis. Capa da edição n. 378 da revista Casabella (jun. 1973) mostrando o detalhe de uma das colagens do Projeto Exodus. Fonte (s): CASABELLA. Disponível em < http://casabellaweb.eu/ >. Acesso em 11 out. 2015.
Em 1972, na tentativa de expor uma visão critica a sociedade da época, o arquiteto holandês Rem Koolhas criou Exodus, uma experiência arquitetônica que conceitualmente despiria a sociedade de suas máscaras, aceitando voluntários ao aprisionamento.
Rem Koolhaas, Madelon Vreisendorp, Elia Zenghelis, and Zoe Zenghelis (1972) Once, a city was divided in two parts. One part became the Good Half, the other part the Bad Half. The inhabitants of the Bad Half began to flock to the good part of the divided city, rapidly swelling into an urban exodus.
6 de set. de 2012 · His final project at the Architectural Association School of Architecture in London was a Ballardian series of 18 drawings, watercolors, and collages called “Exodus, or the Voluntary Prisoners of Architecture,” which, according to the Smithsonian Magazine, galleries and museums ask to borrow more often than anything else in MoMA ...
