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19 de mar. de 2011 · Exodus, or the voluntary prisoners of architecture Rem Koolhaas, Madelon Vreisendorp, Elia Zenghelis, and Zoe Zenghelis (1972) Once, a city was divided in two parts. One part became the Good Half, the other part the Bad Half. The inhabitants of the Bad Half began to flock to the good part of the divided city, rapidly swelling into an urban exodus.
One part became the Good Half, the other part the Bad Half. The inhabitants of the Bad Half began to flock to the good part of the divided city, rapidly swelling into an urban exodus.” Rem Koolhaas. Exodus is a proposition, not a built project. To Koolhaas, our world is a phantom world that bears little resemblance to reality.
Rem Koolhaas, and Elia Zenghelis, Madelon Vriesendorp, Zoe Zenghelis. Exodus, or the Voluntary Prisoners of Architecture: The Strip (Aerial Perspective). 1972. Cut-and-pasted paper with watercolor, ink, gouache, and color pencil on gelatin silver photograph. 16 x 19 7/8" (40.6 x 50.5 cm). Gift of Patricia Phelps de Cisneros, Takeo Ohbayashi Purchase Fund, and Susan de Menil Purchase Fund. 362. ...
Exodus, o i prigionieri volontari dell'architettura / Exodus, or the voluntary prisoners of architecture. Casabella , Milão, n. 378, p. 42-45, jun. 1973. Rem Koolhaas e Elia Zenghelis [com a colaboração de Madelon Vriesendorp e Zoe Zenghelis], 1973:
Exodus, or the voluntary prisoners of architecture Rem Koolhaas, Madelon Vreisendorp, Elia Zenghelis, and Zoe Zenghelis (1972) Once, a city was divided in two parts. One part became the Good Half, the other part the Bad Half. The inhabitants of the Bad Half began to flock to the good part of the divided city, rapidly swelling into an urban exodus.
Considerando tal afirmação, a arquitetura tem potencial suficiente para incomodar e estimular o indivíduo a devir, como pode ser analisado no projeto Exodus, concebido em 1972 pelo arquiteto holandês Rem Koolhaas, o qual se baseia em um estudo crítico feito na cidade de Londres, local de implantação do projeto.
6 de set. de 2012 · In his four decades as an architect and urbanist, Rem Koolhaas has never wavered in his audacious vision, continuously dreaming up controversial projects such as the Central China Television Headquarters Building in Beijing (composed of two uneven 44-story legs joined at the top by a 13-story angled bridge that precariously juts out over a plaza), or an unrealized proposal for a 1.5-billion ...
