Resultado da Busca
Há 1 dia · Narração com voz humana do livro ORLANDO: UMA BIOGRAFIA, escrito por Virginia Woolf, traduzido por Eliane Fittipaldi Pereira e Katia Maria Orberg e publicado...
24 de abr. de 2024 · Jeenah Moon for The New York Times. By Elisabeth Vincentelli. April 24, 2024. There’s a slight pause and a knowingly raised eyebrow — enough to provoke laughter from the audience — when the ...
16 de abr. de 2024 · LibriVox recording of Orlando. A Biography (version 2) by Virginia Woolf. Read in English by Nicole J. LeBoeuf. Virginia Woolf's groundbreaking satire of British culture, customs, literature, philosophy, and politics from the Elizabethan era to the author's present-day 1928, as experienced by her famously long-lived and genderfluid ...
16 de abr. de 2024 · Orlando. A Biography (version 2) Virginia Woolf's groundbreaking satire of British culture, customs, literature, philosophy, and politics from the Elizabethan era to the author's present-day 1928, as experienced by her famously long-lived and genderfluid protagonist. - Summary by Nicole J. LeBoeuf.
17 de abr. de 2024 · Arih 08/04/2024 Uma dança com Orlando pelas encruzilhadas da indentidade Desde sempre, Virginia Woolf me intrigava, um chamado irresistível que pairava sobre suas obras. Ao escolher "Orlando" por mera casualidade, jamais imaginei que embarcaria em uma jornada tão profunda e transformadora.
24 de abr. de 2024 · 'The longest and most charming love letter in literature', playfully constructs the figure of Orlando as the fictional embodiment of Woolf's close friend and lover, Vita Sackville-West. Spanning three centuries, the novel opens as Orlando, a young nobleman in Elizabeth's England, awaits a visit from the Queen and traces his ...
27 de abr. de 2024 · 'Orlando' review: A Virginia Woolf fantasy that plays with gender. Taylor Mac in “Orlando,” a revival at Signature Theater in New York on March 31, 2024. In this revival of Sarah Ruhl’s adaptation of the Woolf novel, now starring Taylor Mac, the flashes of comedy can’t make up for the loss of poetry. (Jeenah Moon for The New York Times)
