Resultado da Busca
Running time. 95 minutes. Country. Soviet Union. Language. Russian. Without Witness ( Russian: Без свидетелей, translit. Bez svideteley) also known as Private Conversation [1] is a 1983 Soviet drama film directed by Nikita Mikhalkov. [2] It won the Prix FIPRESCI at the 13th Moscow International Film Festival.
Der Text ist unter der Lizenz „Creative-Commons Namensnennung – Weitergabe unter gleichen Bedingungen“ verfügbar; Informationen zu den Urhebern und zum Lizenzstatus eingebundener Mediendateien (etwa Bilder oder Videos) können im Regelfall durch Anklicken dieser abgerufen werden.
Nikita Mihalkov ( ven. Ники́та Серге́евич Михалко́в, s. 21. lokakuuta 1945 Moskova) [1] on venäläinen elokuvaohjaaja ja näyttelijä. Hän on tehnyt klassikkofilmatisointeja, kuten Anton Tšehovin tekstiin perustuvan elokuvan Keskeneräinen sävelmä mekaaniselle pianolle (1977). Mihalkov on työskennellyt myös ...
Ojos negros (película) Ojos negros ( Очи чёрные, Ochi chornie, Black eyes) es una película soviético-italiana estrenada en el 1987 y dirigida por Nikita Mikhalkov. Se basa en varios relatos cortos de Antón Chéjov, entre ellos La dama del perrito, para contar una historia de amores frustrados e ilusiones perdidas.
Nikita Sergeyevich Mikhalkov (Russian: Никита Сергеевич Михалков; born 21 October 1945; Moscow) is a Russian filmmaker, actor, and head of the Russian Cinematographers' Union. Mikhalkov is a three-time laureate of the State Prize of the Russian Federation (1993, 1995, 1999) and is a Full Cavalier of the Order "For Merit to the Fatherland". Nikita Mikhalkov won the Golden ...
Svetlana Kryuchkova as Nina, Maria's daughter. Yuri Bogatyryov as Tasik, Nina's husband. Andrei Petrov as Liapin, Maria's fellow traveler. Fyodor Stukov as Irishka, Nina's daughter. Ivan Bortnik as Vovchik, Maria's ex-husband. Oleg Menshikov as Kirill, Vovchik's son. Vsevolod Larionov as Lieutenant-General in the train. Nikita Mikhalkov as waiter.
Urga é um filme franco - russo de 1991 de Nikita Mikhalkov que mostra a dinâmica de uma família mongol nos extremos da Rússia pós-soviética. Num dos momentos mais interessantes do filme, o pai de família leva uma televisão para o campo e a põe no meio do pasto para ver o que acontece. Este artigo sobre um filme russo é um esboço.
