Resultado da Busca
Blair Tindall, oboist and journalist who wrote about sexual abuse at UNCSA, dies at 63. Book was turned into hit series on Amazon. Blair Tindall, a 1978 high-school graduate of the UNC School of ...
On this night Blair Tindall read from her memoir Mozart in the Jungle: Sex, Drugs and Classical Music (Atlantic Monthly Press). Tindall, a graduate of both the Manhattan School of Music and the Stanford journalism program, a woman who has written for the New York Times and played for the New York Philharmonic, then did what she’s always done best in front of a crowd: performed on the oboe.
Tindall's famous 2005 memoir, "Mozart in the Jungle," was adapted for television in 2014 The freelance oboist and journalist Blair Tindall has passed away at the age of 63, on account of cardiovascular disease. Tindall will be best remembered for her 2005 memoir, titled Mozart in the Jungle: Sex, Drugs, and Classical Music.
Compre online Mozart in the Jungle: Sex, Drugs and Classical Music, de Tindall, Blair na Amazon. Frete GRÁTIS em milhares de produtos com o Amazon Prime. Encontre diversos livros escritos por Tindall, Blair com ótimos preços.
12 de abr. de 2023 · Blair Tindall. (February 2, 1960-April 12, 2023) Blair Tindall, born on February 2, 1960, in Chapel Hill, North Carolina, USA, gained recognition as a writer, with notable works including Malcolm X (1992), Mozart in the Jungle (2014), and Crooklyn (1994). Tindall, who played the oboe for prestigious ensembles such as the New York Philharmonic ...
Tindall was a staff business writer at the San Francisco Examiner and staff critic-at-large for the Contra Costa Times, a Knight Ridder newspaper in California. Tindall has taught journalism at Stanford University and at Mediabistro both in San Francisco and New York, and has taught oboe at the University of California-Berkeley and at Mills College.
Blair Tindall's book combines a personal memoir of her years as a gigging oboist in New York's Upper West Side musicians' ghetto with a trenchant analysis of what's wrong with classical music today. No other book I know on the subject does this to such powerful effect; she leaves us with a disturbing, fact-filled portrait of American musical life that is both humorous and human."
