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290000m 2. Capacity 80,000 people. The new Tokyo National Stadium more than a large sports facility designed to the highest design specifications and functional requirements. It is a piece of the city’s fabric, and urban connector which enhances and modulates people moving through the site from different directions and points of access. The ...
13 de nov. de 2012 · Galaxy Soho / Zaha Hadid Architects. O projeto, na área do SOHO, em Pequim, é um edifício de 330.000 m 2 de escritórios, com comércio e complexo de entretenimento e tornar-se-á uma parte integral da vida da cidade, inspirado pela grande escala de Pequim. Sua arquitetura é uma composição de cinco volumes separados, fluidos e contínuos ...
Zaha Hadid Architects was appointed as design architects of the Heydar Aliyev Center following a competition in 2007. The Center, designed to become the primary building for the nation’s cultural programs, breaks from the rigid and often monumental Soviet architecture that is so prevalent in Baku, aspiring instead to express the sensibilities of Azeri culture and the optimism of a nation ...
ザハ・ハディッド （ザハ・ハディド、ザハ・ハディードとも表記、 アラビア語: زها حديد 、 アラビア語ラテン翻字: Zaha Hadid 、 1950年 10月31日 - 2016年 3月31日 [1] ）は、 イラク ・ バグダード 出身、 イギリス を拠点に活躍した 建築家 [2] 。.
Dame Zaha Mohammad Hadid, DBE, RA ( arabsky زها حديد ; 31. října 1950 Bagdád – 31. března 2016 Miami) byla britská architektka a malířka iráckého původu, významná představitelka dekonstruktivismu a parametricismu. V roce 2004 obdržela jako první žena v historii prestižní Pritzkerovu cenu za architekturu.
23 de jan. de 2024 · Zaha Hadid was born in Baghdad, Iraq, in 1950 to a wealthy family. As a child, she attended Catholic boarding schools in England and Switzerland before studying mathematics at the American University of Beirut. In 1972, Hadid moved to London to pursue her passion for architecture by enrolling at the prestigious Architectural Association School ...
27 de jul. de 2022 · Kurfuerstendamm 70 - 1986. Com influências e referências do suprematismo e construtivismo russos, e a partir de um resgate de princípios modernistas que foi aos poucos sendo abortado ao longo da década de 1960, Zaha começa a traduzir suas pinturas para a construção de edifícios a partir do final da década de 1980, com projetos como a Estação do Corpo de Bombeiros de Vitra, por exemplo.
