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  1. 21 de nov. de 2020 · Literary Criticism of T. S. Eliot. By NASRULLAH MAMBROL on November 21, 2020 • ( 0 ) Thomas Steams Eliot (1888-1965) has described his criticism as a “by-product” of his “private poetry-workshop” and as “a prolongation of the thinking that went into the formation of my own verse” ( On Poetry 117).

  2. ‘The Function of Criticism’: summary. Eliot begins his essay by quoting from his 1919 essay ‘Tradition and the Individual Talent’, which we have analysed here. In that essay, Eliot argued that no writer has their meaning alone, and their work has to be viewed in relation to the wider literary tradition of which it forms a part.

  3. Literary criticism, for Eliot, might launch, then soar. Nonetheless, it should have firm foundations: tradition, order, precision, and criteria. In the year of this review, Eliot had just emerged from the pseudonym, Crites, champion of the ancients, under which he had written his regular editorial “Commentaries” for the Criterion.

    • Helen Thaventhiran
    • 2016
  4. His sense of historical perversity was pretty complete. Eliot was a modern partly by temperament. He made a show, in his criticism, of depreciating writers to whom he owed a good deal of his voice as a poet and his principles as a critic. But he was a modern by circumstance, as well.

  5. T. S. ELIOT is by far the most important critic of the. twentieth century in the English-speaking world. His influence on contemporary taste in poetry is most con spicuous: he has done more than anybody else to promote the. "shift of sensibility" away from the taste of the "Georgians" and. to revaluate the major figures and periods in the ...

  6. A relação entre crítico e seu público alvo é a questão primordial discutida por T. S. Eliot. Na medida em que o artista estabelece um vínculo com a tradição, o crítico possui intenções ao produzir uma crítica e está intimamente ligado à teoria literária de seu tempo.