Resultado da Busca
Robert Morris (February 9, 1931 – November 28, 2018) was an American sculptor, conceptual artist and writer. He was regarded as having been one of the most prominent theorists of Minimalism [1] along with Donald Judd , but also made important contributions to the development of performance art , land art , the Process Art movement ...
- February 9, 1931, Kansas City, Missouri, U.S.
- Minimalism
Learn about the life and art of Robert Morris, one of the central figures of Minimalism and Process art. Explore his sculptures, installations, and performances that explore simple geometric shapes, chance, temporality, and ephemerality. See his biography, influences, influences, and similar art.
- American
- February 9, 1931
- Kansas City, Missouri
- November 28, 2018
Robert Morris (1931–2018) was a pioneer of minimalism and conceptual art. Explore his works, exhibitions, publications, and biography at MoMA, the Museum of Modern Art in New York.
Biography. Robert Morris (February 9, 1931 – November 28, 2018) was an American sculptor, conceptual artist and writer. He was regarded as having been one of the most prominent theorists of Minimalism along with Donald Judd, but also made important contributions to the development of performance art, land art, the Process Art movement, and ...
Robert Morris (Missouri, 9 de fevereiro de 1931) é um artista, escultor, e escritor modernista estadunidense. Fez contribuições significativas aos movimentos minimalista e land art.
- American
- Kansas City, Missouri, United States
27 de mar. de 2024 · Robert Morris (born February 9, 1931, Kansas City, Missouri, U.S.—died November 28, 2018, Kingston, New York) was an American artist whose Minimalist sculptures and personalized performance works contributed significantly to the avant-garde movements of the 1960s and ’70s.
Biography. Dealers. Events. News. Robert Morris was a preeminent American Conceptual artist regarded as one of the early proponents of Minimalism. In one of his best-known series, Morris hung sculpted pieces of dense felt on the wall, the resulting drooping shape, acted as a challenge to painting while offering a new format for sculpture.
