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  1. Principais obras de arte de Richard Hamilton: - O que faz os lares de hoje tão diferentes, tão acolhedores? (1956) - Homenagem a Chrysler Corp. (1957): - Adonis de cuecas (1963) - Interior II (1964) - Glorious Techniculture (1961-64) - My Marilyn (Paste Up) (1964) - Banhistas (1967) - Swingeing London 67 (1968-69) - Study for a Fashion plate ...

    • Pop Art

      - Richard Hamilton: artista plástico britânico, autor de O...

    • Arte Abstrata

      Texto sobre a Arte Abstrata, o que é abstracionismo, resumo...

  2. 24 de ago. de 2015 · In 1956, Hamilton created his famous collage Just What Is It That Makes Today’s Homes So Different, So Appealing?, which is considered a landmark in 20th Century British art because of its...

  3. Sua colagem de 1956, Just what is it that makes today's homes so different, so appealing?, produzida para This Is Tomorrow exposição do Independent Group em Londres, é considerado por críticos e historiadores como uma das primeiras obras da pop art .

    • British
    • London, United Kingdom
  4. Kunsthalle Tübingen, Tübingen. Just what is it that makes today's homes so different, so appealing? is a collage by English artist Richard Hamilton. [1] [2] It measures 10.25 in (260 mm) × 9.75 in (248 mm). The work is now in the collection of the Kunsthalle Tübingen, Tübingen, Germany. It was the first work of pop art to achieve iconic ...

  5. Hamilton's cover art for The Beatles (1968) From the mid-1960s, Hamilton was represented by Robert Fraser and even produced a series of prints, Swingeing London, based on Fraser's arrest, along with Mick Jagger, for possession of drugs.

  6. 6 de dez. de 2023 · In this iconic collage by the British artist Richard Hamilton, created in 1956, a midcentury living room is filled to the brim with logos and cut-out images of consumer products. At center, a lampshade is emblazoned with the emblem for the auto manufacturer, Ford.

  7. 13 de set. de 2011 · Richard Hamilton was the founder of Pop art and a visionary who outlined its aims and ideals. A lollipop from one of his early collages furnished the movement with its title. His visual juxtapositions from the 1950s were the first to capture the frenetic energy of television, and remind us of how strange the vacuum, tape recorder ...