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Next Time We Love: Directed by Edward H. Griffith. With Margaret Sullavan, James Stewart, Ray Milland, Grant Mitchell. A young married couple's relationship becomes strained when he is assigned overseas as a foreign correspondent and she becomes a major stage star.
- (675)
- Drama, Romance
- Edward H. Griffith
- 1936-01-30
Next Time We Love is a 1936 American melodrama film directed by Edward H. Griffith and starring Margaret Sullavan, James Stewart and Ray Milland.
- Rear Window's Original Story Doesn't Include Lisa Or Stella.
- Alfred Hitchcock Was Inspired by Two Actual Murder cases.
- Grace Kelly Turned Down The Lead in on The Waterfront to Star in Rear window.
- Alfred Hitchcock Modeled Rear Window's Villain on A Producer He hated.
- Jimmy Stewart's Wife Didn't Want Him to Make A Movie with Grace Kelly.
- "Miss Torso" Was A Teenage Ballerina.
- The "Songwriter" Was Also One in Real Life.
- Jeff and Lisa's Romance Is Supposedly Based on A Real Life Ingrid Bergman Fling.
- Rear Window's Elaborate Set Cost Some Serious Cash.
- Rear Window Is The only Film Where Grace Kelly Smokes on-screen.
Rear Window was based on Cornell Woolrich's short story, “It Had to Be Murder.” In Woolrich’s version, the voyeuristic protagonist does not have a girlfriend or a nurse, although he does have a “day houseman” named Sam who checks in on him. Oh and his leg injury? It isn't explicitly mentioned until the very last line.
Although John Michael Hayes wrote the screenplay for the movie, Hitchcock helped with the actual crime at the center of the story. As he told François Truffaut, he lifted two news items from the British press: the 1910 case of Dr. Hawley Crippen and the 1924 case of Patrick Mohan. Crippen killed his wife, told friends she went to America, and then ...
In the fall of 1953, Grace Kelly was offered the female lead in two films: one was Rear Window, the other was Elia Kazan’s On the Waterfront. Although she was dying to work with Hitchcock again, On the Waterfront would’ve allowed Kelly to stay in New York, which she preferred to Los Angeles. Still, she ultimately chose to play socialite Lisa Fremon...
Hitchcock had a long-standing grudge with his former producer, David O. Selznick. The director believed Selznick had meddled too much with his movies, so much so that Hitchcock effectively disowned his first film with the producer, Rebecca. His ties to Selznick ended with the 1947 movie The Paradine Case, though, so Hitch decided to enact a sly bit...
Before she was Princess Grace of Monaco, Grace Kelly had areputation (whether true or not) for having affairs with her male costars—even the married ones. One of those men was Ray Milland, whose spurned wife just happened to be good friends with Jimmy Stewart's wife, Gloria. Gloria was less than thrilled at the prospect of her husband working with ...
Georgine Darcy was 17 years old when she was cast as “Miss Torso,” Jeff’s dancing neighbor. Hitchcock picked her out of a pile of publicity photos; hers apparently caught his eye because she had paid extra for color prints. Darcy was fairly new in town, having left her home in Brooklyn just the year before to pursue ballet in California. So when Hi...
Ross Bagdasarian played the pianist neighbor who is frequently seen composing new pieces. The credits bill him as “The Songwriter,” which is pretty appropriate, considering what Bagdasarian did when he wasn’t acting. He was also a pianist and composer himself, and made his name by creating Alvin and the Chipmunks. But before he recorded “The Chipmu...
Rumor has it that Jeff and Lisa were based on war photographer Robert Capa and Ingrid Bergman. The pair dated while Bergman was filming Notorious with Hitchcock in 1946, so he saw the relationship firsthand. The affair ended within a year, but it clearly struck a chord with Hitchcock, who had what many described as an "acute, unrequited passion" fo...
The apartment complex seen in Rear Window was completely constructed on the Paramount Studios lot—and it cost a pretty penny. It reportedly cost an “unprecedented” $9000 to design and $72,000 to build. (About $728,805total, when adjusted for inflation.) The final set included seven apartment buildings and three other buildings on the other side of ...
Kelly refused to smoke cigarettes in her movies, but she made a slight exception for Hitchcock in Rear Window. In one scene, she’s seen with an unlit cigarette between her lips. The camera cuts to Stewart, then back to her. She’s suddenly holding a lit cigarette, which she soon puts out. This way, Hitchcock got his smoking scene, while Kelly never ...
- 40 seg
Milland was lent to Universal for Next Time We Love (1936), with Margaret Sullavan and James Stewart. Back at Paramount he was in The Return of Sophie Lang (1936) and The Big Broadcast of 1937 (1936).
The Greenhouse Jungle: Directed by Boris Sagal. With Peter Falk, Ray Milland, Bob Dishy, Sandra Smith. Columbo arrives at a kidnapping case, which at some point turns to worse. Everything seems to be related to a trust fund managed by a man with a great love for orchids.
- (3K)
- Crime, Drama, Mystery
- Boris Sagal
- 1972-10-15
When Christopher is sent to Rome, their relationship becomes strained, and their friend Tommy (Ray Milland) tries to move in on Cicely, who he secretly loves.
- (6)
- Romance
Through some connections of Stewart's actor buddy Ray Milland (billed as "Raymond Milland"), Sullavan falls into an acting career, and, as happens in these kinds of movies, quickly becomes a top Broadway star.
