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  1. O mito de Pigmalião e Galatéia é utilizado na Psicologia e Filosofia quando se fala sobre a idealização do ser amado, e que quanto mais desejado e perseguido, acaba por tornar-se personificado, assim como Pigmalião que tanto amou e desejou Galatéia que conseguiu por fim que ela ganhasse vida.

    • The Strange Sculptor
    • Falling in Love with His Own Creation
    • The Realization of His Dream
    • The Influence of The Myth on The Arts

    Pygmalion was a sculptor par excellence, a man who gave to every one of his ivory a life-like appearance. His deep devotion to his art spared him no time to admire the beauty of women. His sculptures were the only beauty he knew. For reasons known only to him, Pygmalion despised and shunned women, finding solace only in his craft. In fact, he was s...

    One fine day, Pygmalion carved the statue of a woman of unparalleled beauty. She looked so gentle and divine that he could not take his eyes off the statue. Enchanted with his own creation, he felt waves of joy and desire sweeping over his body and in a moment of inspiration he named the figurine, Galatea, meaning "she who is white like milk". He d...

    In the meanwhile, the celebration of goddess Aphrodite was fast approaching and preparations were well under way. On the day of the festival, while making offerings to goddess Aphrodite, Pygmalion prayed with all his heart and soul, beseeching the goddess that she turns his ivory figurine into a real woman. Touched by his deep veneration, Aphrodite...

    The story of Pygmalion and Galatea was made famous by Ovid in his famous work, Metamorphoses. However, the name Galatea was ascribed to the figurine only in the 18th century and gained prominence through Jean-Jacque Rousseau's opera, Pygmalion (1762). Another famous work that is based on this myth is the play "Educating Rita", written by Willy Russ...

  2. Pygmalion and Galatea, por Ernest Normand (1886) Pigmalião[ 1][ 2][ 3][ 4] ou Pigmaleão (grafia menos correta, tendo em conta a etimologia do latim Pygmalion, -onis, do grego Pugmalíon, -onos[ 5][ 2] ), na mitologia grega, foi um rei da ilha de Chipre, [ 6][ 7] que, segundo Ovídio, poeta romano contemporâneo de Augusto, também ...

  3. Quando terminou o trabalho Pigmaleão acabou se apaixonando por Galateia, a mulher esculpida, e para não ter que devolvê-la aos sacerdotes acabou criando outra estátua parecida. Com o seu grande amor ao seu lado, mas sem poder possuí-la, Pigmaleão pediu à deusa Afrodite que tirasse sua vida.

  4. In book 10 of Ovid 's Metamorphoses, Pygmalion was a Cypriot sculptor who carved a woman out of ivory. Post-classical sources name her Galatea . According to Ovid, when Pygmalion saw the Propoetides of Cyprus practicing prostitution, he began "detesting the faults beyond measure which nature has given to women". [1]

  5. Who Was Galatea? Pygmalion named his masterpiece ivory statue Galatea (Greek: Γαλάτεια; “she who is milk-white”). Galatea is the embodiment of the perfection of the woman of Pygmalions dream. Thus far from the immoral Cypriot women who earned his ire.

  6. Article History. Gérôme, Jean-Léon: Pygmalion and Galatea. Pygmalion and Galatea, oil on canvas by Jean-Léon Gérôme, c. 1890; in the Metropolitan Museum of Art, New York City. 88.9 × 68.6 cm. (more)