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  1. María de la Luz Tena Álvarez, de nombre artístico Lucero Tena 1 ( Durango, México, 2 16 de septiembre de 1937), 3 es una bailarina de flamenco e intérprete de las castañuelas de origen mexicano y ciudadanía española, país donde reside desde 1958.

    • María de la Luz Tena Álvarez `
    • Catolicismo
  2. Lucero Tena. (María de la Luz Tena Álvarez; Durango, México, 1938) Bailarina española de origen mexicano. Trasladada a España en 1958, formó parte de la compañía de Carmen Amaya y posteriormente creó su propio cuadro de flamenco.

  3. Biografia e carreira. 1969–79: Antes da fama. 1980–89: Início, Chispita, carreira no cinema, Cuéntame e ascensão. 1990–99: Transição para o mariachi, "La Novia de América", Lucero de México, Lazos de Amor e consolidação musical. 2000–09: Retorno às novelas, Mi Destino, peça musical Regina, Alborada e Mañana Es Para Siempre.

    • A Adorada, A Namorada da América, Lucerito, Lucero do México, A Barbie da Banda
    • Lucero Hogaza León
    • Mexicana
  4. www.laphil.com › musicdb › artistsLucero Tena | LA Phil

    LUCERO TENA demonstrates a personal, unmistakable style in her performances on the castanets, and she has distin- guished herself by promoting and bringing this instrument into the concert hall as solo instrument in orchestral works.

  5. www.wikiwand.com › es › Lucero_TenaLucero Tena - Wikiwand

    María de la Luz Tena Álvarez, de nombre artístico Lucero Tena, es una bailarina de flamenco e intérprete de las castañuelas de origen mexicano y ciudadanía española, país donde reside desde 1958.

  6. Lucero Tena | Belgrade Philharmonic Orchestra. Lucero Tena has marked a personal, unmistakable style to her performance of the castanets, and she has distinguished herself for her promoting and incorporating this instrument into the big concert halls as solo instrument of concert works.

  7. Lucero Tena has marked a personal, unmistakable style to her performance of the castanets, and she has distinguished herself for her promoting and incorporating this instrument into the big concert halls as solo instrument of concert works.