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  1. George Henry Lewes (/ ˈ l uː ɪ s / ⓘ; 18 April 1817 – 30 November 1878) was an English philosopher and critic of literature and theatre. He was also an amateur physiologist. American feminist Margaret Fuller called Lewes a "witty, French, flippant sort of man".

  2. 21 de mar. de 2024 · George Henry Lewes (born April 18, 1817, London, Eng.—died Nov. 28, 1878, London) was an English biographer, literary critic, dramatist, novelist, philosopher, actor, scientist, and editor, remembered chiefly for his decades-long liaison with the novelist Mary Ann Evans (better known by her pseudonym, George Eliot ).

    • The Editors of Encyclopaedia Britannica
  3. George Henry Lewes (Londres, 18 de abril de 1817 – Londres, 30 de novembro de 1878) foi um filósofo e crítico de literatura e teatro inglês. [1] Tornou-se parte da efervescência de ideias em meados da Era Vitoriana, encorajando a discussão do darwinismo, do positivismo e do ceticismo religioso.

  4. Abstract. A consideration of the work of G. H. Lewes closes this book, for Lewes is representative of the kind of intellectual whose work has formed its substance. His Problems of Life and Mind recognizes the importance of hallucinations, insanity, and other clinical material for psychological investigation. Looking at the Problems of Life and ...

  5. 7 de abr. de 2024 · Overview. G. H. Lewes. (1817—1878) writer. Quick Reference. (1817–78), a versatile writer, was author of plays, essays (notably on Comte and Hegel), Ranthorpe (1847), a novel in imitation of Goethe; and a popular history of philosophy from F. Bacon to Comte (Biographical History of Philosophy, 1845–6).

  6. G. H. Lewes Escritor inglês, nascido em 1817 e falecido em 1878, é célebre enquanto marido e impulsionador da autora George Eliot , a qual beneficiou em muito dos estudos científicos de Lewes, como se pode verificar pela presença de metáforas científicas nas suas obras.

  7. Copyright © Cambridge University Press 2018. In a controversial article on the life and fiction of Charles Dickens, George H. Lewes ponders the inexplicable preference of readers for the novelist's too-simplistic characters over the more complex characters of other writers.