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22 de jun. de 2020 · Clement Greenberg (1909 – 1994) foi um ensaísta, crítico de arte visual e esteticista formalista estadunidense. Ele esteve intimamente associado à arte moderna americana de meados do século XX. Ocasionalmente, trabalhou com o pseudônimo K. Hardesh.
Clement Greenberg (Bronx, 16 de janeiro de 1909 – Nova Iorque, 7 de maio de 1994) foi um influente crítico de arte dos Estados Unidos, ligado ao Modernismo. Clement Greenberg nasceu no bairro do Bronx, Nova York, em 1909. Seus pais eram imigrantes judeus de classe média e ele era o mais velho de seus três filhos.
- Estados Unidos
- 16 de janeiro de 1909, Bronx
- 7 de maio de 1994 (85 anos), Nova Iorque
Clement Greenberg (/ ˈ ɡ r iː n b ɜːr ɡ /) (January 16, 1909 – May 7, 1994), occasionally writing under the pseudonym K. Hardesh, was an American essayist known mainly as an art critic closely associated with American modern art of the mid-20th century and a formalist aesthetician.
- Clement Greenberg, January 16, 1909, New York City, U.S.
- Syracuse University (AB)
- May 7, 1994 (aged 85), New York City, U.S.
7 de mai. de 1994 · Learn about the life and work of Clement Greenberg, one of the most influential art critics in the 20th century. Explore his ideas on modern art, abstraction, kitsch, flatness, and the avant-garde. See examples of his analysis of important artists and artworks, such as Mondrian, Rockwell, Braque, Pollock, and Hofmann.
- January 16, 1909
- May 7, 1994
26 de abr. de 2024 · Clement Greenberg (born Jan. 16, 1909, Bronx, N.Y., U.S.—died May 7, 1994, New York, N.Y.) was an American art critic who advocated a formalist aesthetic. He is best known as an early champion of Abstract Expressionism. Greenberg was born to parents of Lithuanian Jewish descent.
- The Editors of Encyclopaedia Britannica
14 de nov. de 2012 · Learn about the influential American art critic who championed Jackson Pollock and formalism, and rejected political art as inferior. Explore his ideas, legacy and controversies in this article by Matthew Israel.
Greenberg, the formalist most often criticized for viewing the art object as formally hermetic, also in fact recognized history’s unavoidable influence—if only in the vague form of the Zeitgeist—on abstract form.
