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  1. 17 de dez. de 2016 · En aquel tiempo, Violet exigió a Vita que acabara con toda relación carnal con Harold. El pacto entre ambas se mantuvo. Violet se casaría con Denys Trefusis bajo la condición de no consumar su matrimonio. Las dos planearon dejar Inglaterra tras la boda para abandonar un “destino seguro”. El riesgo de ser excluidas

  2. 1 de jun. de 2004 · Kirstie Blair; Gypsies and Lesbian Desire: Vita Sackville-West, Violet Trefusis, and Virginia Woolf. Twentieth-Century Literature 1 June 2004; 50 (2): ...

  3. ings by Sackville-West, Violet Trefusis, and Woolf, allusive, evasive, and teasing, a figure around whom fantasies and desires coalesce.The tentative identification with the gypsies in Sackville-West's letter to Woolf is an undercurrent in all three writers, a tug toward"gypsiness" that functions, I argue, as a hint of same-sex desire.

  4. Relação com Violet Trefusis. A relação lésbica que teve o impacto mais profundo e duradouro na vida pessoa de Vita aconteceu com a romancista Violet Trefusis, filha de Alice Keppel, amante de Eduardo VII. Conheceram-se quando Vita tinha doze anos e Violet dez, tendo sido colegas de escola durante vários anos.

  5. Violet Trefusis was an English author and socialite. Trefusis is remembered primarly for her long lasting affair with Vita Sackville-West. Both Sackville-West and Trefusis wrote ficitional accounts about their affair, Challenge by Sackville-West, and Broderie Anglaise, a roman à clef wirrten in French by Trefusis.

  6. www.violettrefusis.com › fr › i-docufilmViolet Trefusis

    Le Florence de Violet Trefusis. L’Esprit de Violette naît d’une recherche longue et approfondie dans plusieurs archives et collections privées en Italie et à l’étranger, et il est fondé sur du matériel inédit (documents, métrage, photos) et sur des interviews originales qui enrichissent la narration d’autres témoignages uniques et intéressants.

  7. www.violettrefusis.com › en › copyright-domande-risposteViolet Trefusis

    The literary production of Violet Trefusis is under copyright as it is not yet 70 years since the death of the writer. Therefore, for any use it is necessary to ask for permission with a detailed application to Tiziana Masucci, who owns all the rights of exploitation (for any languages and for the whole world) and will evaluate, also with her ...