Yahoo Search Busca da Web

Resultado da Busca

  1. 21 de nov. de 2014 · On the eve of a major exhibition on the printmaker, painter and poet, Fiona Maddocks chooses her 10 favourite works. William Blake: Apprentice & Master is at the Ashmolean, Oxford, 4 December...

  2. William Blake (28 November 1757 – 12 August 1827) was an English poet, painter, and printmaker. Largely unrecognised during his life, Blake is now considered a seminal figure in the history of the poetry and visual art of the Romantic Age.

  3. The Works of William Blake: Poetic, Symbolic and Critical, edited with lithographs of the illustrated prophetic books, and a memoir and interpretation by Edwin John Ellis and William Butler Yeats, is a three-volume commentary book about the English poet, painter and printmaker William Blake.

    • Edwin Ellis, W. B. Yeats
    • 27 January 1893
    • 1893
    • Bernard Quaritch
  4. Poet, painter, engraver, and visionary William Blake worked to bring about a change both in the social order and in the minds of men. Though in his lifetime his work was largely neglected or dismissed, he is now considered one of the leading lights of English poetry, and his work has only grown in popularity.

    • Overview
    • Visions of eternity

    William Blake is considered to be one of the greatest visionaries of the early Romantic era. In addition to writing such poems as “The Lamb” and “The Tyger,” Blake was primarily occupied as an engraver and watercolour artist. Today Blake’s poetic genius has largely outstripped his visual artistic renown.

    What was William Blake’s career like as a visual artist?

    Although William Blake’s principal occupation was engraver, he transitioned to watercolour illustrations after an ambitious 1794 engraving commission floundered when published three years later. He painted watercolours for his patrons illustrating works by Dante, William Shakespeare, and John Milton, although much of his art focused on biblical subjects.

    What is William Blake’s poetry about?

    Songs of Innocence and of Experience: Shewing the Two Contrary States of the Human Soul (1794) is arguably William Blake’s most well-known poetic composition. The Lamb and the Tyger function as complementary symbols of the protection and corruption of innocence, respectively. Much of Blake’s other poetry concerns his politics, visions, and self-invented mythology.

    What was William Blake’s reputation during his lifetime?

    Visions were commonplaces to Blake, and his life and works were intensely spiritual. His friend the journalist Henry Crabb Robinson wrote that when Blake was four years old he saw God’s head appear in a window. While still a child he also saw the Prophet Ezekiel under a tree in the fields and had a vision, according to his first biographer, Alexander Gilchrist (1828–61), of “a tree filled with angels, bright angelic wings bespangling every bough like stars.” Robinson reported in his diary that Blake spoke of visions “in the ordinary unemphatic tone in which we speak of trivial matters.…Of the faculty of Vision he spoke as One he had had from early infancy—He thinks all men partake of it—but it is lost by not being cultiv[ate]d.” In his essay “A Vision of the Last Judgment,” Blake wrote:

    I assert for My Self that I do not behold the outward Creation… ‘What’ it will be Questiond ‘When the Sun rises, do you not See a round Disk of fire somewhat like a Guinea?’ O no no I see an Innumerable company of the Heavenly host crying ‘Holy Holy Holy is the Lord God Almighty!’

    Blake wrote to his patron William Hayley in 1802, “I am under the direction of Messengers from Heaven Daily & Nightly.” These visions were the source of many of his poems and drawings. As he wrote in his “Auguries of Innocence,” his purpose was

    Special offer for students! Check out our special academic rate and excel this spring semester!

    Learn More

    To see a World in a Grain of Sand

    • G.E. Bentley