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The Shamrock Handicap is a 1926 American romance film directed by John Ford. [1] Plot. As described in a film magazine review, [2] young Neil Ross bids good bye to Sheila and sails to America with Finch, who promises to make him a famous jockey. Neil is injured in his first race and is partially paralyzed.
- John Ford
The Shamrock Handicap é um filme norte-americano de 1926, do gênero romance, dirigido por John Ford. Uma cópia do filme ainda existe no Museu de Arte Moderna . [ 1 ]
- John Ford
- romance
- John Ford
- Peter B. Kyne, John Stone, Elizabeth Pickett
The Shamrock Handicap: Directed by John Ford. With Janet Gaynor, Leslie Fenton, J. Farrell MacDonald, Louis Payne. The story of Sir Miles O'Hara and his daughter, who rent out living quarters to a poor family, the O'Sheas, who cannot pay rent on time.
- (194)
- Romance, Drama
- John Ford
- 1926-05-02
Overview. Because he refuses to collect rent payments from his impoverished tenants, kindly Irish nobleman Sir Miles Gaffney is in danger of losing his estate. He is forced to sell off part of his racing stable to a wealthy American, who takes along Gaffney's jockey Neil Ross as part of the bargain.
The Shamrock Handicap. 1926 Directed by John Ford. Because he refuses to collect rent payments from his impoverished tenants, kindly Irish nobleman Sir Miles Gaffney is in danger of losing his estate. He is forced to sell off part of his racing stable to a wealthy American, who takes along Gaffney’s jockey Neil Ross as part of the bargain.
- John Ford
- Fox Film Corporation
Synopsis by Hal Erickson. Based on a story by Peter B. Kyne, the long-lost John Ford silent Shamrock Handicap begins in Ireland. Because he refuses to collect rent payments from his impoverished tenants, kindly Irish nobleman Sir Miles Gaffney is in danger of losing his estate.
Similar to what was to become one of his most successful pictures, The Quiet Man, The Shamrock Handicap is a romantic comedy set in Ireland. The visuals in it look forward to the more picturesque, spacious, classical compositional style that would come to define Ford’s 1950’s films.
