Yahoo Search Busca da Web

Resultado da Busca

  1. Summary. Sartre argues that while some believe imagining to be like an internal perception, imagination is nothing like perception. Perception is our study over time of a particular object with our senses. It is necessarily incomplete; one can only see one side of a chair at a time, for example. Thus, perception involves observation.

    • Jean-Paul Sartre, revised by Arlette Elkaim-Sartre
    • France
    • 1940
    • L'Imaginaire: Psychologie phénoménologique de l'imagination
  2. 16 de mar. de 2010 · The book is an extended examination of the concepts of nothingness and freedom, both of which are derived from the ability of consciousness to imagine objects both as they are and as they are not – ideas that would drive Sartre's existentialism and entire theory of human freedom.

    • London
    • 1st Edition
  3. Há 3 dias · Imagination & Creativity in Jean-Paul Sartre. Understanding the imagination was central to Sartres attempts to understand what it is to be human, and how we should live. Maria Antonietta Perna thinks he had important insights which are still worth considering. What is imagination?

  4. The Imaginary. Jean-Paul Sartre, revised by Arlette Elkaim-Sartre, Jonathan Webber (Translator) 3.80. 488 ratings44 reviews. First published in 1940, Sartre's The Imaginary is a cornerstone of his philosophy.

    • (481)
    • Paperback
  5. 21 de set. de 2021 · The imaginary : a phenomenological psychology of the imagination : Sartre, Jean-Paul, 1905-1980 : Free Download, Borrow, and Streaming : Internet Archive.

  6. In "The Imaginary", Sartre presents theories of human imagination and consciousness that drove his existentialism and his theories of human freedom. This translation by Jonathan Webber...

  7. 2 de out. de 2021 · As an incantation, what Sartre calls the imaginary function—ironically—defies the existential level of perception. The latter always implies the division of subject and object, whereas no such division is implied at the level of the imaginary—or, as I prefer, the image.