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27 de abr. de 2024 · Abstract. In Nightwood, Ryder and The Book of Repulsive Women, Djuna Barnes employs strange, obscene and sometimes disturbing bodily imagery, featuring human-animal hybrids and unconventional outsider figures which destabilise the distinction between desire and disgust in a way that resists linear narrative and ‘wholeness.’.
- David Cruickshank
27 de abr. de 2024 · Footnote 1 Through a discussion of the literary—and in several cases visual—works of Joseph Conrad, Wyndham Lewis, T.S. Eliot and Djuna Barnes, I will show that the embodiment of the grotesque in modernist literature is critical to understanding modernism as a stylistic entity more generally, and as a movement brought about by socio-political, economic, scientific and technological ...
- David Cruickshank
19 de abr. de 2024 · "Barnes, Djuna" published on by Oxford University Press. (occasional pseudonym Lydia Steptoe; 1892–1982), novelist, poet, playwright, journalist, satirist, artist, and author of short stories.Born in Cornwall-on-Hudson, New York, to Wald and Elizabeth Chappell Barnes, she spent most of her childhood on a Long Island farm, where she grew up in a polygamous household.
28 de abr. de 2024 · ‘Nightwood’ by Djuna Barnes was published by Harcourt, Brace & Co. in 1937, and by New Directions in 1946, 1961, 2006 and 2016. 180 pages. $13.90 at Bookshop.org. New to the TBR:
Há 3 dias · Zora Neale Hurston. Zora Neale Hurston (January 7, 1891 [1] : 17 [2] : 5 – January 28, 1960) was an American author, anthropologist, and documentary filmmaker. She portrayed racial struggles in the early-20th-century American South and published research on hoodoo and Caribbean Vodou. [3]
3 de mai. de 2024 · Djuna Barnes particularly benefitted from Peggy’s sometimes reluctant generosity and Emily’s altruism. Often, the only money Djuna had was the stipend of $40 a month. Under pressure from Emily, the stipend was raised to $100 plus a lump sum to cover outstanding debts.
19 de abr. de 2024 · She is celebrated in several contemporary works, including Djuna Barnes’s Ladies Almanack, Radclyffe Hall’s The Well of Loneliness, and Renée Vivien’s Une Femme m’apparut (A Woman Appeared to Me).
