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The Second Folio is the 1632 edition of the collected plays of William Shakespeare. It follows the First Folio of 1623. Much language was updated in the Second Folio and there are almost 1,700 changes. Background and conception.
Second Folio. Full Title: Mr. William Shakespeare Comedies, histories and tragedies. Published according to the true originall copies. The second impression. London, printed by Tho. Cotes for Robert Allot, 1632. Published: London: Smethwick, J., Aspley, W., Hawkins, Richard, and Meighan, Richard, 1632.
The Second Folio was published by Allot, William Aspley, Richard Hawkins, Richard Meighen, and John Smethwick, and printed by Thomas Cotes. It contained the same plays as the First Folio and much of the same additional material, with the addition of an unsigned poem by John Milton .
4 de dez. de 2020 · The Folger Shakespeare Library, famous for its collection of 82 First Folios, also owns 58 copies of the Second Folio. But what is a folio and what makes it so special? Folios are large books comprised of pages that have only been folded once before being gathered into quires (four sheets of paper folded to form eight leaves) that ...
14 de abr. de 2015 · English. This, the second edition of the collected plays of William Shakespeare, is commonly known as "the second folio." The so-called "first folio" was printed in London and issued in 1623 by Isaac Jaggard and Edward Blount. It contained 36 plays, 18 of which had never before appeared in print, including Macbeth, The tempest, and ...
The Second Folio is actually the second edition in the same format of Mr. William Shakespeares Comedies, Histories, and Tragedies. In fact the Second Folio was basically a page-by-page reprint of the First Folio and was published in 1632, nine years after the first was published.
The Second Folio is really the story of how a book made a 17th-century London playwright one of the most dominant figures in Western culture. The posthumous publishing by Shakespeare’s friends and contemporaries captured the most accurate accounting of his plays.
