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Sara Coleridge (23 December 1802 – 3 May 1852) was an English author and translator. She was the third child and only daughter of the poet Samuel Taylor Coleridge and his wife Sara Fricker. Her first works were translations from Latin and medieval French.
- Translator
30 de abr. de 2024 · Sara Coleridge (born Dec. 22, 1802, Keswick, Cumberland, Eng.—died May 3, 1852, London) was an English translator and author of children’s verse, known primarily as the editor of the works of her father, Samuel Taylor Coleridge. During her childhood, her father was seldom at home, and his brother-in-law Robert Southey chiefly ...
- The Editors of Encyclopaedia Britannica
1802-1852. Sara Coleridge (December 23, 1802 – May 3, 1852) was an English author and translator but she is most famous as the only daughter of S. T. Coleridge and is probably most remembered for the work she did editing her father's work following his death in 1834 and the subsequent death of her husband in 1843.
31 de mai. de 2023 · The Garden Year by Sara Coleridge - Poems | Academy of American Poets. Sara Coleridge. January brings the snow, Makes our feet and fingers glow. February brings the rain, Thaws the frozen lake again. March brings breezes, loud and shrill, To stir the dancing daffodil. April brings the primrose sweet, Scatters daisies at our feet.
16 de dez. de 2022 · Sara Coleridge (1802–1852), the only daughter of Samuel Taylor Coleridge (1772–1834), was a literary critic, philosopher, theologian, translator, and a commentator on politics and society. She was also an accomplished poet and a fluent, vigorous letter-writer.
- Peter Swaab
- p.swaab@ucl.ac.uk
Known as the daughter of Samuel Taylor Coleridge, Sara Coleridge's manuscripts, letters, and other writings reveal an original thinker in dialogue with major literary and cultural figures of nineteenth-century England. Here, her writings on beauty, education, and faith uncover aspects of Romantic and Victorian literature, philosophy, and theology.
13 de fev. de 2018 · Abstract. Schofield establishes the conceptual basis for this much-needed study of Sara Coleridge as an author. The chapter offers a survey of studies of Sara Coleridge, biographical and critical, from 1852 to the present, and analyses how changing constructions of gender have influenced perceptions of her life and work.
