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8 de mai. de 2024 · Description. Title. Barnes, Djuna. Creator. From the Collection: McAlmon, Robert, 1896-1956. Published / Created. 1920-52. Provenance. The Robert McAlmon Papers are almost entirely the gift and bequest of Norman Holmes Pearson, 1969-1976, who purchased them from Robert McAlmon from 1949 on for eventual donation toYale.
8 de mai. de 2024 · Robert McAlmon, l’un des plus fulgurants d’entre eux, raconte sa vie parisienne. C’est l’âge du jazz et celui du gin. À lire aussi Pascal Praud dans le JDD : « Cultures et dépendances » Avec...
7 de mai. de 2024 · Being Geniuses Together: 1920-1930 by Robert McAlmon and Kay Boyle The Armory Show of 1913 Lost Ladies of Lit Episode No. 11 on Constance Fenimore Woolson Lost Ladies of Lit Episode No. 108 on Lola Ridge Lost Ladies of Lit Episode No. 98 on Heterodoxy Ernest Walsh James Joyce Lawrence Vail Robert McAlmon William Carlos Williams Marianne Moore ...
1 de mai. de 2024 · Description. Title. McAlmon, Robert. Creator. From the Collection: Williams, William Carlos, 1883-1963. Published / Created. 1921-1951, undated. Description. Accompanied by clipping on Robert McAlmon's death. Provenance.
1 de mai. de 2024 · One young contemporary with whom Williams did form a close, lasting friendship was Robert McAlmon. The two met in 1920 when McAlmon was twenty-four and Williams thirty-six. Despite the age difference they bonded immediately and were soon planning a new little magazine, Contact , partly to fill the gap left by the failure of Others in 1919.
9 de mai. de 2024 · Robert Mcalmon, Explorations, ,500.00,pb,9789333421256600.00,hb,97893328887159.99,eb,0,de,,sd,,, Lang: - English, Pages:- 81, Print on Demand. Reprinted in 2013 with the help of original edition published long back 1921. This book is Paperback edition printed in black & white, sewing binding for longer life with Matt laminated multi-Colour Dust Cover, Printed on high quality Paper, re-sized as ...
17 de mai. de 2024 · Examining a wider set of fictional works set in Weimar Germany by authors such as John Buchan, Robert McAlmon and Winifried Holtby, Storer sees these representations as a ‘prism’ through which to view contemporary attitudes towards Germany and its citizens.
