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The work is an extensive treatise on the subject of abjection, [1] in which Kristeva draws on the theories of Sigmund Freud and Jacques Lacan to examine horror, marginalization, castration, the phallic signifier, the "I/Not I" dichotomy, the Oedipal complex, exile, and other concepts appropriate to feminist criticism and queer theory .
- Julia Kristeva
- Pouvoirs de l'horreur. Essai sur l'abjection
- 1980
- 219 pp.
21 de abr. de 2009 · Powers of horror : an essay on abjection : Kristeva, Julia, 1941- : Free Download, Borrow, and Streaming : Internet Archive.
The corpse, seen without God and outside of science, is the utmost of abjection. It is death infecting life. Abject. It is something rejected from which one does not part, from which one does not protect oneself as from an object. Imaginary uncanniness and real threat, it beckons to us and ends up engulfing us.
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In Powers of Horror, Julia Kristeva offers an extensive and profound consideration of the nature of abjection. Drawing on Freud and Lacan, she analyzes the nature of attitudes toward repulsive subjects and examines the function of these topics in the writings of Louis-Ferdinand Céline, Marcel Proust, James Joyce, and other authors.
situating Powers of Horror in the context of the performative structure of her previous work and the arguments in Revolution and Poetic Language (1984b), this essay will explore the intricacies and implications of the performative in Kristeva's text. PERFORMATIVE PARADOXICAL STRUCTURES: THE THEORIST'S SCAR
15 de abr. de 1982 · Powers of Horror: An Essay on Abjection (European Perspectives Series) Paperback – April 15, 1982.
- Julia Kristeva
