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  1. Há 4 dias · Also writing in the 1950s, Nikolaus Pevsner, still a popular reference for architecture in Britain at least, called the Art Nouveau style a “blind alley” characterised by “sinuosity” and “drifting curves”.

  2. Há 5 dias · Professor Nikolaus Pevsner brings clarity to this period of dynamic change by tracing the origins of twentieth-century ideas in architecture and the applied arts.Featuring a new foreword by the distinguished architectural historian Kenneth Frampton, this classic title has now been updated with colour illustrations throughout.

  3. Há 5 dias · Creatives such as Buckminster Fuller, Henry Moore, Sir Nikolaus Pevsner and Eduardo Paolozzi visited the site to give talks as part of an ongoing debate about the education of artists and designers. Hornsey's Vice Principal Harold Shelton, and the authorities did their utmost to regain control of the Crouch End Hill site.

  4. Há 4 dias · The paintings, in the nave of St Peter and St Paul, Pickering, North Yorkshire, date from about 1450. The architectural historian Sir Nikolaus Pevsner described them as one of the most complete set of wall paintings in the country, providing “a vivid idea of what ecclesiastical interiors were really like”.

  5. Há 3 dias · In the 1890s several artists also moved into Upper Church Street. No. 123 on the corner of Elm Park Road was built in 1894 for Felix Moscheles, and by 1901 the Chelsea Arts Club had moved into two old villas at nos 143-5. Evelyn and William de Morgan moved to nos 125-7 (nos 8-9 Bolton Place), Upper Church Street, where two terraced houses were ...

  6. Há 20 horas · Melwerther Hall is short at 16 pages plus a cover, bright fuscia with white lettering, its presentation recalls A) the Pevsner Architectural Guides series in which the architecture critic Sir Nikolaus Pevsner wrote about the prominent architectural features of British towns, and B) the historic photography zines being put out by Cafe Royal Books.

  7. Há 20 horas · Seguendo i consigli di maestri come Nikolaus Pevsner e Kenneth Clark, e inseguendo la propria passione per l’arte e il collezionismo, nel nostro Paese quel giovane raffinato, appena formatosi tra Eton e Oxford, scoprì l’immediatezza del Naturalismo emiliano. E se ne invaghì.