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Details. Starring John Groser, Alexander Gauge, David Ward, George Woodbridge, Basil Burton. Directed by George Hoellering. Print: black/white. Runtime: 140 min. Genre: drama. Print Quality: B. The tape version, if one exists, may be 114 minutes but the film, on original release, ran the same 140 minutes in the USA as it did in England.
George Hoellering’s acclaimed adaptation of T.S. Eliot’s classic verse drama. Murder in the Cathedral (1952) UK 1952. Director George Hoellering. Producer George Hoellering. Screenwriters George Hoellering, T.S. Eliot. With John Groser, Alexander Gauge, David Ward. 114 mins. Production company British Instructional Films.
3 de mai. de 2022 · murder in the cathedral (1951) In 1950, after receiving the Nobel prize for literature for his outstanding, pioneer contribution to present-day poetry, T.S. Eliot worked very closely with director George Hoellering on the script and production of the film adaptation of Eliot's verse dramatization of the murder of Thomas Becket.
The tape version, if one exists, may be 114 minutes but the film, on original release, ran the same 140 minutes in the USA as it did in England. It is an experimental transposition of the Eliot play to the screen and, as such, and Eliot a poet, the film deals more with sound and meaning than it does film movement, i.e., static shots with voice overs. It is the story of Thomas Becket ...
A versão em fita, se existir, pode ser de 114 minutos, mas o filme, no lançamento original, rodou os mesmos 140 minutos nos EUA, como na Inglaterra. É uma transposição experimental da peça de Eliot para a tela e, como tal, e Eliot, um poeta, o filme lida mais com som e significado do que com o movimento de filmes, ou seja, tomadas estáticas com narração de voz. É a história de ...
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23 de out. de 2022 · Archbishop Thomas Becket (Father John Groser) deals with his temptations before his murder in the Canterbury Cathedral in 1170. Differences from the play. A number of changes were made for the film. Three of them are particularly notable. The fourth tempter is not seen; only a voice is heard, which was Eliot himself speaking the lines.