Resultado da Busca
Tom Scott – woodwind instruments, harmonica; Robben Ford – electric guitar; Larry Nash – piano; Max Bennett – bass; John Guerin – drums, percussion; Technical. Henry Lewy – sound engineer, mixing; Ken Caillat – Live Tracking engineer (for Wally Heiders) Anthony Hudson – art direction; Mobile Recording: Wally Heider ...
- Joni Mitchell
- November 1974
- March 2 and 4, 1974; August 14–17, 1974
- Jazz, rock, pop
Soon after returning home, tickets went on sale for Joni's tour with Tom Scott and the L.A. Express, which stopped in at the Merriweather Post Pavilion on August 24. Of course I purchased my lawn seat, and made plans to attend.
By Stephen Davis. February 13, 1975. Miles of Aisles is a four-sided live album with a greatest-hits feel to it that collects 18 numbers from Mitchell’s successful concert tour of last winter ...
Miles of Aisles is a four-sided live album with a greatest-hits feel to it that collects 18 numbers from Mitchell's successful concert tour of last winter. It's a strong album of her best songs performed mostly informally, backed on sides one and four by reedman Tom Scott and his band - an interesting album because it displays an occasional ...
21 de mar. de 2024 · 1974.08.27 The Music Shed at Tanglewood Lenox, MA. 1974.08.28 Nassau Coliseum Uniondale, NY. 1974.09.02 Auditorium Arena Denver, CO. 1974.09.08 New York 'SUMMERSAULT' '74 —Roosevelt Raceway Westbury, NY. Joni shared the bill with Crosby, Stills, Nash & Young, Jesse Colin Young and the Beach Boys. Joni also sang.
John Guerin, Joni Mitchell, Larry Nash, Max Bennett, Robben Ford, Tom Scott. Miles Of Aisles is the first live album by Canadian singer-songwriter Joni Mitchell, released in 1974 on Asylum Records. It is a double album documenting her concerts in support of the Court and Spark album with her backing band for the tour, the L.A. Express.
Recorded at a series of California dates, the album finds Joni spurred on by the L.A. Express, and akin in sound to her commercial breakthrough Court And Spark, the ensemble playing here is smooth and sleek, defined by Tom Scott’s versatile sax work.
