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  1. Mary Cromwell, The Countess Fauconberg (9 February 1637 (christened) – 14 March 1713) was an English noblewoman, the third daughter of Oliver Cromwell and his wife Elizabeth Bourchier. Biography. Born in either late 1636 or early 1637, Mary Cromwell was christened on 9 February 1637.

    • 9 February 1637
    • Ely
  2. Mary (née Cromwell), Countess Fauconberg. (1637-1713), Wife of 1st Earl Fauconberg; daughter of Oliver Cromwell. Sitter in 5 portraits.

  3. Cromwell, Mary (1636–1712)Countess of Fauconberg. Name variations: Mary of Falconberg; Mary, countess of Falconberg; Mary Fauconberg. Born in February 1636 in Ely, England; died in 1712 in London, England; daughter of Oliver Cromwell, later Lord Protector of England, and Elizabeth (Bouchier) Cromwell; married Thomas Belayse, Viscount ...

  4. Daughter of Oliver Cromwell. She was the third daughter of Oliver Cromwell, English Military and political figure, and his wife Elizabeth Bourchier. Her christened was recorded as being on February 9, 1637. On November 19, 1657, she married a loyal political ally to her father, Thomas Belasyse, 1st Earl Fauconbery at...

  5. Two Songs at the Marriage of the Lord Fauconberg and the Lady Mary Cromwell. Michael Craze. Chapter. 40 Accesses. Abstract. This wedding took place on Thursday, 19 November 1657 at Hampton Court. Viscount Fauconberg was a widower thirty years old. Mary Cromwell was a spinster aged twenty-one, Oliver’s seventh child and third daughter.

    • Michael Craze
    • 1979
  6. Belasyse [née Cromwell], Mary, Countess Fauconberg (bap. 1637, d. 1713), daughter of Oliver Cromwell | Oxford Dictionary of National Biography. (bap. 1637, d. 1713) Peter Gaunt. https://doi.org/10.1093/ref:odnb/65780. Published in print: 23 September 2004. Published online: 23 September 2004. This version: 03 January 2008. Previous version.

  7. 11 de out. de 2018 · 1020. Views. 268. Downloads. ‘Two Songs at the Marriage of the Lord Fauconberg and the Lady Mary Cromwell’ earns the title of one of seventeenth-century poet Andrew Marvell’s most ignored and under-studied works.