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  1. A-quiver with Significance, Marianne Moore 1932-1936, edited by Heather Cass White (Victoria, B. C.: ELS Editions, 2008). Becoming Marianne Moore: the Early Poems, 1907-1924, edited by Robin G. Schulze (Berkeley: University of California Press, 2002).

  2. From the Archive: Marianne Moore. The first poems by this Modernist poet to be published in Poetry magazine. "You make me think of many men. Once met, to be forgot again". —from "To an Intra-Mural Rat," by Marianne Moore, Poetry, May 1915. In May 1915, Marianne Moore made her first appearance in Poetry. Then twenty-seven-years old, Moore had ...

  3. 1 de abr. de 2015 · A-quiver with Significance, Marianne Moore 1932-1936, edited by Heather Cass White (Victoria, B. C.: ELS Editions, 2008). Becoming Marianne Moore: the Early Poems, 1907-1924, edited by Robin G. Schulze (Berkeley: University of California Press, 2002).

  4. Ficha Técnica. Título original: The complete poems of Marianne Moore Páginas: 208 Formato: 14.00 X 21.00 cm Peso: 0.251 kg Acabamento: Livro brochura Lançamento: 15/08/1991. ISBN: 978-85-7164-189-1 Selo: Companhia das Letras Ilustração:

  5. Marianne Moore, aos 48 anos, em 1935. Caros amigos, Marianne Moore, em vez de lápis, emprega quando escreve. instrumento cortante: bisturi, simples canivete. Com esses versos, que abrem o poema "O Sim Contra o Sim", João Cabral de Melo Neto caracteriza o trabalho de Marianne Moore (1887-1972). De fato, a poesia dessa americana tem precisão ...

  6. À l'âge de 81 ans, Moore a reçu la médaille nationale de littérature en 1968. Le comité chargé de su perviser l'attribution de cette médaille a déclaré " Marianne Moore, la première dame de la poésie, l'une des rares véritables inventeurs de poésie de notre époque, nous donne des indications d'une perfection exquise " 21 .

  7. Marianne Moore’s “To a Snail” is a poem that is structured in a unique way. The poem is divided into three stanzas, each with a different number of lines. The first stanza has six lines, the second has eight, and the third has seven. This irregular structure is intentional and adds to the poem’s overall effect.