Resultado da Busca
Há 4 dias · His choice of bride was the young Polish princess, Maria Clementina Sobieska. The granddaughter of the Polish hero-king, John III, she had connections with courts across Europe and, most importantly, a massive dowry. George I tried to prevent the marriage and had Clementina arrested on her journey to Italy during the winter of 1718-19.
María Clementina Sobieska (Oława, 18 de julio de 1702-Palazzo Muti, 18 de enero de 1735), a veces escrito como Maria Klementyna Sobieska, fue una princesa polaca. Primeros años de vida [ editar ] Fue hija del príncipe de Polonia , Jaime Luis Sobieski (1667-1737) y Eduviges Isabel de Neoburgo (1673-1722).
EMPOWER™RESEARCH. Princess Maria Clementina Sobieska (1702-1735), granddaughter of Jan Sobieski III, the famous King of Poland who defeated the Turks at the Battle of Vienna in 1683, was known in Jacobite circles from 1719 as 'our Queene'[1]). Maria Clementina was one of the most well-connected young ladies in Europe at this time.
Name variations: Mary, Marie, or Maria Sobieska; Clementine or Clementina Sobiewski; Clementina Sobieska; Maria Clementina Stewart or Stuart. Born Marie Casimir Clementina on July 18, 1702, in Silesia; died of scurvy on January 18, 1735, at the Apostolic Palace, Rome; interred in St. Source for information on Sobieski, Clementina (1702–1735): Women in World History: A Biographical ...
Maria Clementina Sobieska was a titular queen of England, Scotland and Ireland by marriage to James Francis Edward Stuart, a Jacobite claimant to the British throne. The granddaughter of the Polish king John III Sobieski, she was the mother of Charles Edward Stuart and of Henry Benedict Cardinal Stuart.
Following his death in 1701, the title and claim to the throne of the three kingdoms was inherited by his son James III Stuart, who in 1719 married Maria Clementina Sobieska (1702–1735).
5 de jan. de 2024 · Maria Clementina Sobieska was the last widely recognised Stuart queen, albeit in exile, and mother to the final generation of the Stuart dynasty. Examining the material and visual culture surrounding her funeral and afterlife, this chapter reinstates Clementina in Jacobite and Stuart history.
