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  1. M. H. Abrams. Meyer Howard Abrams (geboren am 23. Juli 1912 in Long Branch, New Jersey; gestorben am 21. April 2015 in Ithaca, New York [1]) war ein amerikanischer Literaturwissenschaftler .

  2. 23 de abr. de 2015 · NEW YORK (AP) — M.H. Abrams, an esteemed critic, teacher and tastemaker who helped shape the modern literary canon as founding editor of the Norton Anthology of English Literature and joined the elite himself by writing one of the 20th century's most acclaimed works of criticism, has died. He was 102. Abrams' death was confirmed to The Associated Press on Wednesday by Cornell University ...

  3. Amir Ali. Nojoumian. TL;DR: In this paper deconstruction of language is defined as "the paradoxical logic of deconstruction" and deconstructing the name of a word, and deconstruction can be seen as a form of negation. (DOI: 10.1086/447898) We have been instructed these days to be wary of words like "origin," "center," and "end," but I will ...

  4. In M.H. Abrams. With his second work, The Mirror and the Lamp: Romantic Theory and the Critical Tradition (1953), an expanded version of his Ph.D. dissertation, he joined the front rank of Romantic-literature scholars. The book’s title denotes the two metaphors by which Abrams characterized 18th- and 19th-century English literature ...

  5. M. H. Abrams . Meyer Howard Abrams is one of the most respected scholar-theorists of the twentieth century. His special field is Romantic poetry and poetics, but he has done scholarly work that draws on encyclopedic historical knowledge of literary theory from all periods, and he has engaged in paradigm-level debates in contemporary literary theory.

  6. M. Peckham M. H. Abrams H. Jones. History. 24 January 1972. In this remarkable new book, M. H. Abrams definitively studies the Romantic Age (1789-1835)-the age in which Shelley claimed that "the literature of England has arisen as it were from a new birth."…. Expand.

  7. Pode ser dito, então, que a produção física de um poema começa próximo ao coração e termina perto do cérebro. Essa é uma razão [de se dizer] que poesia é sentida como a mais intimista das artes, além de ser a mais abrangente e variada em expressar o que é humano (Abrams, 2012 ABRAMS, M. H. (2012).