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The Liber Studiorum was an expression of his intentions for landscape art. Loosely based on Claude Lorrain's Liber Veritatis (Book of Truth); [6] the plates were meant to be widely disseminated, and categorised the genre into six types: Marine, Mountainous, Pastoral, Historical, Architectural, and Elevated or Epic Pastoral. [7]
The Liber Studiorum, a series of Turner’s landscape and seascape compositions published as prints in etching and mezzotint, has been described as perhaps containing ‘the pith of all that is best in his life and work’, 1 ‘central to Turner’s career as the most personal and carefully conceived series of prints in his entire oeuvre ’, 2 or at least...
29 de jan. de 2018 · Cover title: Turner's Liber studiorum "Miniature edition" "With all the unpublished plates"--Cover "Containing reproductions (I.) from first published states of the seventy-one published plates, and (II.) of the original drawings for, or of engraver's proofs of, all the unpublished plates as the artist left them" Plates printed on ...
Há 3 dias · Bridge and Goats (no.43) is represented in the Bequest by both an original watercolour design and a washed etching. All the known finished designs for these parts remained in the artist’s possession and were included in the Turner Bequest, except no.27, presented by later by W.G. Rawlinson, and nos.36 and 46, bequeathed by Henry Vaughan.
2 de set. de 2022 · Turner's Liber Studiorum, a series of landscape and seascape compositions published as prints in etching and mezzotint, was published between 1807 and 1819 in fourteen parts with a frontispiece and categorised into six types: Marine, Mountainous, Pastoral, Historical, Architectural, and Elevated or Epic Pastoral.
22 de nov. de 2024 · The following checklist is in the standard Rawlinson/Finberg order3 (for the full series, see the general Liber Studiorum introduction).
Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates.
