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  1. Kunio Maekawa (前川 國男, Maekawa Kunio, 14 May 1905 – 26 June 1986) was a Japanese architect and a key figure in Japanese postwar modernism. After early stints in the studios of Le Corbusier and Antonin Raymond, Maekawa began to articulate his own architectural language after establishing his own firm in 1935, maintaining a ...

    • The National Museum of Modern Art, Tokyo
    • Architect
    • Japanese
    • Mayekawa Kumio Associates
  2. Kunio Maekawa (前川 國男, Maekawa Kunio?, 14 de maio de 1905 — 26 de junho de 1986) foi um arquiteto japonês. Biografia. Nascido em Niigata, Maekawa entrou para a Universidade de Tóquio em 1925. Depois de se graduar, em 1928, ele partiu para a França, onde se tornou aprendiz de Le Corbusier.

  3. 25 de mar. de 2024 · Maekawa Kunio (born May 14, 1905, Niigata-shi, Japan—died June 27, 1986, Tokyo) was a Japanese architect noted for his designs of community centres and his work in concrete. After graduation from Tokyo University in 1928, Maekawa studied with the architect Le Corbusier in Paris for two years.

    • The Editors of Encyclopaedia Britannica
  4. Understand. About Kunio Maekawa. Kunio Maekawa (1905-1986) can be said to be an architect who embodies the beginning of modern and contemporary architecture in Japan. After World War II, he led the Japanese architectural world as a standard-bearer of modernism.

  5. 29 de set. de 2016 · Urbipedia. Kunio Maekawa was one of the masters of architecture of the post-World War II period and is considered the father of the new Japanese architecture. He studied architecture at the University of Tokyo, after getting his graduate degree in 1928, he traveled to Paris to work with Le Corbusier where he remained until 1930.

  6. 8 de ago. de 2018 · Their names — Junzo Sakakura, Takamasa Yoshizaka and, above all, Kunio Maekawa — would become hallowed in the emerging pantheon of Japanese Modernists. They had trained with Le Corbusier in...

  7. N2 - Kunio Maekawa A Japanese Modernist in Search for Architectural Identity This study focuses on the role and the changing definition of tradition in respect to modernism in the period 1920 to 1970.