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  1. 24 de jun. de 2020 · Original Jali Roll album tracks 1-11 produced September/ October 1989 by Hijaz Mustapha for Fezco/ Rogue Records, assisted by Ian Anderson. Engineered by David Kenny at Ideal Sound, London. Originally mastered by Tim Young at CBS.

  2. 17 de jan. de 2024 · In 1989, African musicians/singers Dembo Konte and Kausu Kuyateh joined forces members with the British world music unit 3 Mustaphas 3 to record Jali Roll. Insanely eclectic, 3 Mustaphas 3 is a group capable of playing Mexican ranchero one minute and Russian folk the next, only to turn around and

  3. The artists in question are West African kora masters Dembo Konte and Kausu Kutayeh plus the 3 Mustaphas 3--English folk-rock accordeonist John Kirkpatrick, slide guitarist (and editor of Folk Roots magazine) Ian Anderson and the Sierra Leonian guitarist Abdul ("One Take") Tee-Jay.

  4. 6 de mai. de 2024 · Designed by Jali Roll Martian. Musicians. Ian A. Anderson: 1979 Thornbory acoustic and slide guitars, 7-string Messer resonator guitar. Tracks. Keep Your Hands Off Her (2.46) A Fool Such As I (3.02) Pretty Polly (Roud 15; Laws P36B) (3.54) I Love the Life I Live (2.37) Break ’Em On Down (3.06) Fair and Tender Ladies (Roud 451) (4.48)

  5. 29 de mar. de 2004 · Jali Roll (Revisited +1) by Konte & Kuyateh on Weekend Beatnik. In late 1989 during one of their regular high- profile tours of Britain, Dembo Konte and Kausu Kuyateh got together with members of the nigh-legendary 3Mustaphas3, English folk/rock accordeon maestro John Kirkpatrick, slide guitarist Ian Anderson and Sierra Leone guitar king Abdul ...

    • Konte & Kuyateh
  6. Tracklist. Companies, etc. Recorded At – The Basement, Clifton Village, Bristol. Credits. Acoustic Guitar – Ian A. Anderson. Design – Jali Roll Martian. Photography By – Carmen Hunt, Judith Burrows. Recorded By – Ian Anderson * Resonator Guitar – Ian A. Anderson. Slide Guitar – Ian A. Anderson. Barcode and Other Identifiers.

  7. Dembo Konte (or Konté) (died January 2014) [1] and Kausu Kuyateh (died 16 June 2018) [2] were master kora players from West Africa. They were also singers and, above all, jalis; storytellers and guardians of oral tradition, preserving the history of people and events via their music.