Resultado da Busca
Sir Geoffrey Langdon Keynes (/ ˈ k eɪ n z / KAYNZ; 25 March 1887, Cambridge – 5 July 1982, Cambridge) was a British surgeon and author. He began his career as a physician in World War I , before becoming a doctor at St Bartholomew's Hospital in London , where he made notable innovations in the fields of blood transfusion and ...
Learn about Sir Geoffrey Keynes, the brother of economist John Maynard Keynes, who was a surgeon at St Bartholomew's Hospital and a bibliographer. He also served as a senior consultant surgeon to the Royal Air Force during World War Two.
5 de abr. de 2016 · Who was Geoffrey Keynes? For some, he was a major British surgeon who, during the 1920s and 1930s, broke with the standard practice of treating breast cancer with a radical mastectomy that had been championed from the end of the nineteenth century by the American surgeon, William Halsted.
- Gerald Kutcher
- 2016
Sir Geoffrey Langdon Keynes. b.25 March 1887 d.5 July 1982. Kt (1955) BA Cantab (1909) MB BChir (1913) MD (1918) FRCS (1920) FRCOG (1950) FRCP (1953) Hon LLD Edin Hon Dlitt Oxon Cantab Birm Sheffield Reading. Geoffrey Keynes, the second of three children, was born into a comfortable middle class home in Cambridge.
Introduction. The art of anatomy: Vesalius and Valverde. Anatomy in action: Harvey, Glisson and Descartes. Sir Geoffrey Keynes (1887–1982) Printing the body. Keynes read Natural Sciences at Pembroke College, Cambridge, graduating MA in 1913.
Sir Geoffrey Keynes (1887 - 1982), was a pioneer in the surgery of breast cancer and thymic deseases, n.b. in patients suffering from myastenia gravis. He strongly disapproved of the longstanding dogma of so called radical mastectomy in breast cancer, and advocated a more limited surgical approach, followed by radiation therapy.
Quick Reference. (1887–1982), scholar and bibliographer, brother of J. M. Keynes. His works include bibliographies of Donne, Evelyn, and Blake (1921, 1953); his editions of Blake (1925–66, and various studies) were a major contribution towards the 20th‐cent. reappraisal of Blake's work.
