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  1. Há 4 dias · Fine clothes to the Jew by Langston Hughes. Description. Has striped paper boards. Presentation to Fania Marinoff [Van Vechten] 15 Jan. '26 [i.e. 1927]. Extent. 1 book jacket. 19.6 x 48 cm. col. ill. Extent of Digitization. This object has been partially digitized. Collection Information. Repository. Beinecke Rare Book and Manuscript Library.

  2. 24 de abr. de 2024 · Description. Title. Fine clothes to the Jew / by Langston Hughes. Creator. Hughes, Langston, 1902-1967. Contributor. 14:Van Vechten, Carl,--1880-1964--Bookplate. Hughes, Langston,--1902-1967--Presentation inscription to C. Van Vechten. Van Vechten, Carl,--1880-1964--Presentation inscription from L. Hughes.

  3. Há 3 dias · Langston Hughes. In full: James Mercer Langston Hughes. Born: February 1, 1902?, Joplin, Missouri, U.S. Died: May 22, 1967, New York, New York (aged 65) Notable Works: “Dream Variation” “Fine Clothes to the Jew” “Harlem” “Letters from Langston: From the Harlem Renaissance to the Red Scare and Beyond” “Mule Bone” “Not Without Laughter”

  4. 2 de mai. de 2024 · Langston Hughes, "The Last Feast of Belshazzar" (1923) The jeweled entrails of pomegranates bled on the marble floor. The jewel-heart of a virgin broke at the golden door. The laughter of a drunken lord hid the sob of a silken whore. Mene, Wrote a strange hand, Mene Tekel Upharsin,—. And Death stood at the door.

  5. 15 de abr. de 2024 · How 12 Jews survived the Holocaust hidden by a maid in a Nazi officer’s basement Film ‘Irena’s Vow,’ opening in the US on April 15, tells the true story of faith and humanity that led a ...

  6. 16 de abr. de 2024 · This session, led by Professor Marc Michael Epstein, explores the material culture of Jewish communities through history, including architecture, furnishings, clothing, and artifacts. Titled “Clothes Make the Person,” it examines historical Jewish costumes, focusing on how Jewish clothing distinguished and marked Jews in society.

  7. Há 3 dias · For most of Jewish history, clothing represented a tension between dressing Jewish and dressing like everybody else. This was especially true in the late 19th and early 20th centuries, precisely the era in which the ancestors of most American Jews immigrated to the United States.