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Frank Raymond " F. R. " Leavis CH (14 July 1895 – 14 April 1978) was an English literary critic of the early-to-mid-twentieth century. He taught for much of his career at Downing College, Cambridge, and later at the University of York . Leavis ranked among the most prominent English-language critics in the 1950s and 1960s. [1] . J. B.
10 de abr. de 2024 · F.R. Leavis (born July 14, 1895, Cambridge, Cambridgeshire, Eng.—died April 14, 1978, Cambridge) was an English literary critic who championed seriousness and moral depth in literature and criticized what he considered the amateur belletrism of his time.
- The Editors of Encyclopaedia Britannica
26 de jul. de 2017 · A comprehensive overview of the life and work of F. R. Leavis, a influential figure in 20th-century literary criticism and theorist of language and culture. Learn about his major works, his influence on other critics, his critique of the "two cultures" and his role in higher education.
28 de mar. de 2008 · Chapter. Information. The Cambridge History of Literary Criticism , pp. 389 - 422. DOI: https://doi.org/10.1017/CHOL9780521300124.019. Publisher: Cambridge University Press. Print publication year: 2000. Access options. Get access to the full version of this content by using one of the access options below.
- Michael Bell
- 1988
Em Inglaterra, a revista de crítica literária Scrutinity, lançada em 1932 por F. R. Leavis (1895-1978) e sua esposa, legitimou e privilegiou um determinado método de análise do texto literário (close reading) que viria a ser conhecido por leavisianismo.
27 de fev. de 2020 · F. R. Leavis (1895–1978) was an English literary critic and university teacher and a major figure on the English-speaking cultural landscape during the middle decades of the twentieth century. He was particularly associated with the rise of Cambridge ‘English’.
18 de mar. de 2016 · A review of the life and work of F. R. Leavis, a major critic of English literature and a major influence on the new critical theory of the 1970s. Leavis's moral formalism is based on his identification of the 'great works' of literature, his critique of mass culture, and his concern with the felt life of the text.
