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Eugenio Onegin (russo: Евгений Онегин, BGN / PCGN: Yevgeniy Onegin) é um romance em verso escrito por Alexandre Pushkin. É um clássico da literatura russa e seu homônimo protagonista tem servido como modelo para uma série de heróis literários russos.
- Coleção Grandes Traduções
- Ilya Yefimovich Repin
Eugene Onegin, A Novel in Verse (Russian: Евгений Онегин, роман в стихах, romanized: Yevgeniy Onegin, roman v stikhakh, pre-reform Russian: Евгеній Онѣгинъ, романъ въ стихахъ, IPA: [jɪvˈɡʲenʲɪj ɐˈnʲeɡʲɪn]) is a novel in verse written by Alexander Pushkin.
- Alexander SergeevichHG Pushkin
- Евгеній Онѣгинъ, романъ въ стихахъ
- 1825
- 1825–1832 (in serial), 1833 (single volume)
Eugene Onegin, fictional character who is the protagonist of Aleksandr Pushkin’s masterpiece Eugene Onegin (1833). Onegin is the original superfluous man, a character type common in 19th-century Russian literature. He is a disillusioned aristocrat who is drawn into tragic situations through his.
- The Editors of Encyclopaedia Britannica
Eugene Onegin (Russian: Евгений Онегин, tr. Yevgény Onégin, IPA: [jɪvˈɡʲenʲɪj ɐˈnʲeɡʲɪn] ⓘ), Op. 24, is an opera (designated as "lyrical scenes") in 3 acts (7 scenes), composed by Pyotr Ilyich Tchaikovsky.
- lyrical scenes
- 29 March 1879, Maly Theatre, Moscow
- Russian
Ievguêni Oniéguin [1] (em russo: Евгений Онегин) é uma ópera em três atos e seis cenas do célebre compositor russo Piotr Ilitch Tchaikovski (1840-1893), baseada em Eugene Onegin, romance em verso de Alexander Pushkin escrito ente 1823 e 1831 e publicado em 1831, e que é considerado por críticos e especialistas ...
3 de abr. de 2018 · A translation of Pushkin's classic poem by Henry Spalding, with a preface, notes and biographical sketch of the poet. The poem depicts the love story of Eugene Onéguine and Tatiana, set in the Russian society of the early 19th century.
Tchaikovsky’s many moods—tender, grand, melancholy—are all given free rein in Eugene Onegin. The opera is based on Pushkin’s iconic verse novel, which re-imagines the Byronic romantic anti-hero as the definitive bored Russian aristocrat caught between convention and ennui; Tchaikovsky, similarly, took Western European operatic forms and ...
