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Elizabeth married William Dauncey, son of Sir John Dauncey, Privy Councillor and Knight of the Body to Henry VIII, on 29 September 1525. [8] Elizabeth and William had seven children: John (b.1525), Thomas, Bartholomew, William, Germain, Alice, and Elizabeth. They lived at Canons Park, Middlesex, and in London, then (after 1543) at Cassiobury ...
- Elizabeth More, 1506, Bucklersbury, St Stephen Walbrook parish, London, England
- William Dauncey
- 1564, aged 58
Elizabeth Dauncey. c.1526-7. RCIN 912228. Elizabeth (b. 1506) was More’s second daughter, and had recently married William Dauncey. In the group portrait she stood to the far left, next to Margaret Giggs, her hands clasped in front of her. The inscription ‘The Lady Barkley’ is an eighteenth-century misidentification. Previous Next.
Elizabeth Dauncey has a degree in Botany and a PhD in Plant Taxonomy. She spent most of her career working for the Poisons Unit of Guy’s & St Thomas’ Hospital NHS Trust in London, on joint initiatives with the Royal Botanic Gardens, Kew, including identification systems for poisonous plants and fungi for use by hospitals managing poisoning ...
The three women in low-cut dresses in the centre are his daughters Cecily Heron (seated, with a closed book), Elizabeth Dauncey (standing) and Margaret Roper (seated, with an open book). The four figures with pleated ruffs are his grandson, also called Thomas More, with his wife Maria Scrope and their sons, John and Christopher Cresacre More.
- Portrait miniature
Elizabeth Dauncey (née More) (1506-1564), Second daughter of Sir Thomas More; wife of William Dauncey. Sitter in 9 portraits. Like.
Elizabeth Dauncey , one of Thomas More's children, was part of a circle of exceptionally educated and accomplished women who exemplified "learned ladies" for the next two centuries.
Description. A portrait drawing of Elizabeth Dauncey (b. 1506). She is shown bust-length in profile to the right wearing a gable hood. The drawing is in black and coloured chalks, which have been wetted to create the flesh tone of the face. The drawing is inscribed rot (red) in Holbein's hand.
