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  1. Há 5 dias · With "Dazed and Confused," Linklater decided to stay in Austin and make more films in the area, something he has continued throughout most of his career. The film also includes some of Austin's most iconic locations. Details: Universal Pictures / Rated R / 102 minutes / Comedy Director: Richard Linklater

  2. Há 5 dias · A taxi drops Richard Linklater (also director of the film) off on 24th Street between San Antonio & Nueces Streets near the Castilian dorm, where he witnesses a hit and run. Today, the location, which is just west of the UT campus, looks wildly different from the film with a number of modern high-rise student apartment buildings.

    • Double Play: James Benning and Richard Linklater filme1
    • Double Play: James Benning and Richard Linklater filme2
    • Double Play: James Benning and Richard Linklater filme3
    • Double Play: James Benning and Richard Linklater filme4
    • Double Play: James Benning and Richard Linklater filme5
  3. Há 5 dias · En arpentant et en admirant la nature, on l’imagine en faire de même, jusqu’à éprouver son exaspération à l’écoute des rares sons parasites, tant on est saisi par la précision de son discours. C’est que Benning s’intéresse vraiment à sa pensée tout en parvenant à ne pas tomber dans la pure fascination.

  4. Há 3 dias · Robert Bernard Altman ( / ˈɔːltmən / AWLT-mən; February 20, 1925 – November 20, 2006) was an American film director, screenwriter, and producer. He was a five-time nominee of the Academy Award for Best Director and is considered an enduring figure from the New Hollywood era. His most famous directorial achievements include M*A*S*H (1970 ...

  5. Há 4 dias · IATSE - LOCAL 484, Studio Mechanics of Texas is the labor union that represents 130,000 film and television technicians from Accounting to Costume to Props to Scenic artists and every artisan in-between. Laura King - Business Agent, Local 484. 512-385-3466. TXBA484@gmail.com.

  6. Há 4 dias · Then, point your glove where you want the ball to go, keep your feet parallel to the target, pull your throwing-arm elbow back and high, and release the ball, keeping a loose grip the entire time ...