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Donald Siegel (/ ˈ s iː ɡ əl / SEE-gəl; October 26, 1912 – April 20, 1991) was an American film and television director and producer. Siegel was described by The New York Times as "a director of tough, cynical and forthright action-adventure films whose taut plots centered on individualistic loners". [1]
- Film and television director and producer
- October 26, 1912, Chicago, Illinois, U.S.
- 1939−1984
- 5, including Kristoffer Tabori
produtor cinematográfico, diretor de cinema, ator, realizador. Religião. ateísmo. Causa da morte. câncer. [ edite no Wikidata] Donald "Don" Siegel ( Chicago, Illinois, 26 de outubro de 1912 — Nipomo, Califórnia, 20 de abril de 1991) foi um diretor de cinema e televisão estadunidense .
- Estados Unidos
- 26 de outubro de 1912, Chicago
- 20 de abril de 1991 (78 anos), Condado de San Luis Obispo
- Califórnia
Don Siegel. Director: Dirty Harry. Don Siegel was educated at Cambridge University, England. In Hollywood from the mid-'30s, he began his career as an editor and second unit director. In 1945 he directed two shorts (Hitler Lives (1945) and Star in the Night (1945)) which both won Academy Awards.
- Don Siegel
Confira todos os filmes e séries de Don Siegel. De seus primeiros passos até o final de seus 44 anos de carreira.
Don Siegel was a Hollywood director who made tough but intelligent films, such as Invasion of the Body Snatchers and Dirty Harry. He was a mentor to Clint Eastwood and Sam Peckinpah, and had a long career in film and TV.
- October 26, 1912
- April 20, 1991
Over a career of 36 years, Siegel directed 34 feature films. The major genres were: drama (22); thriller (11); and crime/film noir (25). The IMDb rating numbers are: Mode - 6.6, 7.1 (4) Median - 6.6. Mean - 6.5. He was one of my favorite directors and really enjoy watching his crime-oriented movies.
11 de fev. de 2024 · A list of the top films by the versatile and hard-hitting director Don Siegel, who made over 30 features in various genres. See his collaborations with Clint Eastwood, his neo-noir adaptations, and his cynical portrayals of crippled loners.