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10 de abr. de 2024 · Packed with glimpses of rarely seen artworks, Art, Passion & Power is a visual treat for all art enthusiasts. Accompanying the BBC television series and a major exhibition at the Royal Academy, Art, Passion & Power is the definitive statement on the British monarchy's treasures of the art world.
14 de abr. de 2024 · Royal Museums of Fine Arts of Belgium, Brussels: 187a: Companion piece to 187b Portrait of Agatha Bas in a Picture Frame: 1641: Oil on canvas: 104 x 82: Royal Collection: 187b: Companion piece to 187a David’s Parting from Jonathan: 1642: Oil on panel: 73 x 61: Hermitage Museum, Saint Petersburg: 188: Self-Portrait: 1642: Oil on panel: 69.9 x ...
Há 2 dias · 2. St. Michael the Archangel overcoming the devil. Image courtesy of the Royal Collections Gallery. The archangel St. Michael defeating the devil is at the end of the tour, but it is one of the works that retains more attention. The sculpture is among the most relevant of the talented and industrious Luisa Roldán, better known as La Roldana.
11 de abr. de 2024 · A speech by The Duchess of Edinburgh, via video message, at the Restoration of the Conflict-Related Sexual Violence Survivors’ Rights Conference, Ukraine. We must stand shoulder to shoulder with all survivors to secure justice and holistic redress, and ensure that this crime isn’t an accepted part of conflict. News.
5 de abr. de 2024 · Tracey Emin (born July 3, 1963, Croyden, Greater London, England) British artist noted for using a wide range of media—including drawing, video, and installation art, as well as sculpture and painting—and her own life as the subject of her art.
28 de mar. de 2024 · Mar 28, 2024 12:18PM. On April 25, 1874, French critic Louis Leroy mocked Claude Monet ’s Impression, Sunrise (1872), scathingly comparing the seascape to “wallpaper in its embryonic state.”. He was writing in response to an exhibition staged in defiance of the state-sponsored Salon by 31 artists—including Monet, Paul Cézanne, and ...
9 de abr. de 2024 · The canon of art history is global, however, with the male Western narrative being so unjustly dominant at the expense of others, it is this that I unpack and challenge. The book takes its title from the so-called introductory ‘bible’ to art history, E. H. Gombrich’s The Story of Art.
