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  1. Élisabeth-Louise Vigée-Le Brun (Paris, 16 de abril de 1755 – Paris, 30 de março de 1842), também conhecida como Madame Lebrun, foi uma pintora francesa, reconhecida como a pintora mais famosa do século XVIII. Seu estilo artístico é geralmente considerado como sendo posterior ao Rococó, sendo que ela geralmente adotava o ...

    • Marie-Louise-Élisabeth Vigée
  2. Conheça a vida e a obra da pintora francesa Élisabeth-Louise Vigée-Le Brun, a retratista oficial de Maria Antonieta no século XVIII. Veja 88 de suas pinturas, que misturam o estilo rococó e neoclássico, e saiba mais sobre sua trajetória artística e pessoal.

    • French
    • Paris, France
  3. Conheça a vida e a obra da pintora francesa do século XVIII, que se destacou como retratista da rainha Maria Antonieta e foi a primeira mulher a ingressar na Académie Royale de Peinture et de Sculpture. Saiba mais sobre seu estilo neoclássico, seus diários e seus principais trabalhos.

  4. Élisabeth Louise Vigée Le Brun (French: [elizabɛt lwiz viʒe lə bʁœ̃]; 16 April 1755 – 30 March 1842), also known as Louise Élisabeth Vigée Le Brun or simply as Madame Le Brun, was a French painter who mostly specialized in portrait painting, in the late 18th and early 19th centuries.

    • 30 March 1842 (aged 86), Paris, France
    • Julie, 2nd Child who died at birth
    • Élisabeth Louise Vigée, 16 April 1755, Paris, France
  5. Learn about the life and work of Élisabeth Louise Vigée Le Brun, one of the most celebrated portrait artists of the 18th century. She was the official painter of Marie Antoinette and a close friend of the queen, who helped her to achieve fame and recognition in France and Europe.

  6. Elisabeth Louise Vigée Le Brun (1755–1842) was one of the finest eighteenth-century French painters and among the most important women artists of all time. Celebrated for her expressive portraits of French royalty and aristocracy, and especially of her patron Marie Antoinette, Vigée Le Brun exemplified success and resourcefulness in an age ...

  7. In 1783 and 1787, she presented portraits of herself and of her daughter Julie. She contributed more than fifty pictures and had reached the high point of her career when, after the march on Versailles, she fled the French Revolution. The portrait of Madame Grand ( 50.135.2) was exhibited at the Salon of 1783.