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  1. Hyacinthe-Gabrielle Wellesley, Countess of Mornington (née Roland or Rolland; c. 1766 – 5 November 1816) was a French actress who became the mistress, and later the wife, of Richard Wellesley, 1st Marquess Wellesley. As an actress, she was known as Gabrielle Fagan.

    • French
    • Hyacinthe-Gabrielle Roland, c. 1766, Paris, France
    • Hyacinthe-Gabrielle Fagan
  2. Hyacinthe-Gabrielle Roland. Lady Charles Cavendish-Bentinck (born Anne Wellesley; 29 February 1788 – 19 March 1875), [1] known between 1806 and 1816 as Lady Abdy, was a British aristocrat and a great-great-grandmother of Queen Elizabeth II .

  3. Hyacinthe-Gabrielle Roland, comtesse de Mornington (1766-1816) est une actrice française. Elle est l'arrière-arrière-arrière-grand-mère de la reine Élisabeth II du Royaume-Uni . Biographie. Née à Paris en 1766, Hyacinthe-Gabrielle est la fille unique de Pierre Roland et de Hyacinthe-Gabrielle Daris 1, 2 .

    • Actrice
    • 1766Paris, Royaume de France
    • 7 novembre 1816Staffordshire, Royaume-Uni
    • Française
  4. Lord Wellesley had several children by his French mistress, Hyacinthe-Gabrielle Roland (they were married in 1794 after the birth of their children). One of them, Anne, married as her second husband Lord Charles Bentinck. They were great-great-grandparents of Queen Elizabeth II . William Pole-Tylney-Long-Wellesley, 4th Earl of Mornington.

  5. Hyacinthe-Gabrielle Roland, as painted by Élisabeth Vigée-Lebrun in 1791. Wellesley lived together for many years with Hyacinthe-Gabrielle Roland, an actress at the Palais Royal. She had three sons and two daughters with Wellesley before he married her on 29 November 1794.

  6. Artwork Details. Overview. Signatures, Inscriptions, and Markings. Exhibition History. Title: Hyacinthe Gabrielle Roland. Artist: Elisabeth Louise Vigée Le Brun (French, Paris 1755–1842 Paris) Date: 1791. Medium: Oil on canvas. Dimensions: 39 × 29 1/2 in. (99 × 74.9 cm) Classification: Paintings.

  7. Hyacinthe-Gabrielle Roland (1766-1816) had been an actress at the Comédie Française before the revolution. In Rome, she became the lover–and later the wife–of a British aristocrat, the First Marquess Wellesley of Norragh. Windswept and free of extraneous ornament, the portrait exemplifies the engagingly informal style that Vigée adopted in Italy.