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Joanna (6 November 1479 – 12 April 1555), historically known as Joanna the Mad (Spanish: Juana la Loca), was the nominal queen of Castile from 1504 and queen of Aragon from 1516 to her death in 1555. She was the daughter of Queen Isabella I of Castile and King Ferdinand II of Aragon.
Joanna of Castile, known as la Beltraneja (28 February 1462 – 12 April 1530), was a claimant to the throne of Castile, and Queen of Portugal as the wife of King Afonso V, her uncle.
- 30 May 1475 – 11 November 1477
- 12 April 1530 (aged 68), Lisbon
- 28 February 1462, Royal Alcázar of Madrid
- Trastámara
Joanna I of Naples. Joanna I, also known as Johanna I ( Italian: Giovanna I; December 1325 [1] – 27 July 1382), was Queen of Naples, [a] and Countess of Provence and Forcalquier from 1343 to 1382; she was also Princess of Achaea from 1373 to 1381. Joanna was the eldest daughter of Charles, Duke of Calabria and Marie of Valois to survive infancy.
- 20 January 1343 – 12 May 1382
- Marie of Valois
Joanna (6 November 1479 – 12 April 1555), historically known as Joanna the Mad ( Spanish: Juana la Loca ), was the nominal queen of Castile from 1504 and queen of Aragon from 1516 to her death in 1555. She was the daughter of Queen Isabella I of Castile and King Ferdinand II of Aragon.
22 de fev. de 2024 · Joanna of Castile, historically known as Joanna the Mad (in Spanish Juana la Loca), was born on November 6th, 1479. She was the third child of Isabella I of Castile and Ferdinand II of Aragon. Readers might be more familiar with her famous younger sister, Catherine of Aragon, first wife to King Henry VIII of England.
History. Encyclopedias almanacs transcripts and maps. Joanna I, "the Mad" (Spain) (1479–1555) views 1,569,291 updated. JOANNA I, "THE MAD" ( SPAIN) (1479 – 1555) JOANNA I, "THE MAD" (SPAIN) (1479 – 1555), third child and second daughter of Isabella of Castile and Ferdinand of Arag ó n, and mother of the Emperor Charles V.
The Madness of Joanna of Castile. 1866. Oil on canvas. Room 061B. This extraordinary historical painting -as appealing as it is disquieting- is one of the first and best examples of the fascination that Joanna of Castile (1479-1555) held for nineteenthcentury Spanish painters.
