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Stewart Granger (born James Lablache Stewart; 6 May 1913 – 16 August 1993) was a British film actor, mainly associated with heroic and romantic leading roles. He was a popular leading man from the 1940s to the early 1960s, rising to fame through his appearances in the Gainsborough melodramas .
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Stewart Granger (Londres, 6 de maio de 1913 - Santa Mônica,...
- Wikipédia, a enciclopédia livre
Stewart Granger (Londres, 6 de maio de 1913 - Santa Mônica, 16 de agosto de 1993) foi um ator britânico-americano. Interpretava galãs heróicos e românticos em filmes de ação e aventura, tendo sido durante os anos 50 um dos mais bem-sucedidos sucessores do astro do gênero Errol Flynn. Em 1956 Granger se naturalizou estadunidense.
Stewart Granger (* 6. Mai 1913 in London; † 16. August 1993 in Santa Monica, Kalifornien; eigentlich James Lablache Stewart) war ein britisch - US-amerikanischer Schauspieler. In den 1950er Jahren war er ein gefragter Darsteller in Hollywood.
Stewart Granger was a British actor who starred in romance and swashbuckler films in the 1940s and 1950s. He was married to Jean Simmons and had a long career in Hollywood, Germany, Italy and Spain.
- January 1, 1
- Kensington, London, England, UK
- January 1, 1
- Santa Monica, California, USA
Stewart Granger. Actor: King Solomon's Mines. Stewart Granger was born James Lablache Stewart in London, the great grandson of the opera singer Luigi Lablache. He attended Epsom College but left after deciding not to pursue a medical degree. He decided to try acting and attended Webber-Douglas School of Dramatic Art, London.
- Actor
- August 16, 1993
- May 6, 1913
Stewart Granger foi um ator britânico-americano. Interpretava galãs heróicos e românticos em filmes de ação e aventura, tendo sido durante os anos 50 um dos mais bem-sucedidos sucessores do astro do gênero Errol Flynn. Em 1956 Granger se naturalizou estadunidense.
The Whole Truth is a 1958 British-American thriller film directed by John Guillermin and starring Stewart Granger, George Sanders, Donna Reed, Gianna Maria Canale and Peter Dyneley. It was based on the 1955 play of the same title by Philip Mackie .
