Yahoo Search Busca da Web

Resultado da Busca

  1. Pietro Lorenzetti (Siena, entre 1280 e 1285 — Siena, 1348) foi um pintor italiano da escola sienesa. Ele trabalhou aproximadamente de 1306 até 1347. Seu irmão foi o pintor Ambrogio Lorenzetti. Foi influenciado por Giovanni Pisano, Giotto, e trabalhou com Simone Martini em Assis.

  2. Pietro Lorenzetti (Italian: [ˈpjɛːtro lorenˈtsetti]; c. 1280 – 1348) or Pietro Laurati was an Italian painter, active between c. 1306 and 1345. Together with his younger brother Ambrogio, he introduced naturalism into Sienese art.

  3. Pietro Lorenzetti (Siena, entre 1280 e 1285 — Siena, 1348) foi um pintor italiano da escola sienesa. Ele trabalhou aproximadamente de 1306 até 1347. Seu irmão foi o pintor Ambrogio Lorenzetti. Foi influenciado por Giovanni Pisano, Giotto, e trabalhou com Simone Martini em Assis.

    • Italian
    • Siena, Italy
  4. Pietro Lorenzetti was an Italian Gothic painter of the Sienese school who, with his brother Ambrogio, was the principal exponent of Sienese secular art in the years before the Black Death. Little is known of Lorenzetti’s life, and the attribution and dating of many of the works associated with him.

    • The Editors of Encyclopaedia Britannica
  5. Learn about Pietro Lorenzetti, a Sienese artist who introduced naturalism and spatial realism into Sienese art. See his biography, works, and influences from Duccio, Giotto, and Ambrogio.

    • Italian
    • Siena, Italy
  6. The Artist: Together with his brother Ambrogio, Pietro Lorenzetti was one of the most innovative painters in fourteenth-century Tuscany. Both were exceptionally responsive to the work of Giotto, which Pietro encountered at Assisi, where he created a cycle of frescoes in the north transept of the lower church of San Francesco dated by most ...

  7. Pietro Lorenzetti was a Sienese painter active from 1306 to 1345, known for his collaborations with his brother Ambrogio and his influence from Duccio, Giotto, and Simone Martini. Explore his life, style, and major works, such as the polyptych in the Carmine, the frescoes in Assisi, and the diptych in Berlin.