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  1. C'est la vie (French: La Baule-les-Pins) is a semi-autobiographical 1990 French drama written and directed by Diane Kurys. Like Peppermint Soda, Cocktail Molotov, and Entre Nous the plot revisits the theme of divorce and its effects.

  2. 14 de fev. de 1990 · For their summer holiday in 1958, Frédérique aged 13 and her sister Sophie aged 8 go to the station with their mother Léna and nanny Odette. Their father Michel has decided to stay in Lyon and look after his business while the rest of the family go to La Baule-les-Pins, where they will meet up with the girls' uncle Léon, aunt ...

    • Diane Kurys
    • France
    • Nathalie Baye
    • $3 326 168 February 14, 1990
  3. C'est la vie. Summaries. The July 1958 vacation, on a beach on the Atlantic coast. Little Sophie, 8 years old, and her big sister Frédérique suffer from the bad understanding between their parents, presenting the drama of divorce which will not fail to occur. Summer 1958.

  4. C'est la vie is a film directed by Diane Kurys with Nathalie Baye, Julie Bataille, Richard Berry, Zabou Breitman .... Year: 1990. Original title: La Baule-les-Pins. Synopsis:You can watch C'est la vie through on the platforms:

    • Fabio Conversi; Giuseppe Lanci
    • Diane Kurys
    • France
    • Drama. Comedy | Family Relationships
  5. Le cadre estival et le casting cinq étoiles portent cette chronique estivale sur la question très sensible (surtout à l’époque) du divorce. Nathalie Baye est touchante, Jean Pierre Bacri loyal et sincère ; et les enfants émouvants et espiègles.

    • (434)
    • Alexandre Films, Films A2, CNC
    • Diane Kurys
  6. Set in the French beach resort of La Baule-les-Pins in the summer of 1958, it is mainly narrated in voice-over from the thirteen-year-old Frederique’s diary. Like Peppermint Soda, Cocktail Molotov, and Entre Nous the plot revisits the theme of divorce and its effects.

  7. 16 de nov. de 1990 · And that is the mood evoked by Diane Kurys' "C'est la Vie," a story told from the point of view of a young girl whose parents seem headed for a painful divorce. In American hands this material would become a bitter docudrama, but Kurys somehow seems able to bathe the pain in nostalgia.