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The Fly (bra: A Mosca da Cabeça Branca [1]; prt: A Mosca [2]) é um filme norte-americano de 1958, dos gêneros suspense, terror e ficção científica, dirigido por Kurt Neumann [3], com roteiro de James Clavell baseado no conto homônimo de George Langelaan, publicado em 1957 na Playboy norte-americana.
The film tells the story of a scientist who is transformed into a grotesque human–fly hybrid after a common house fly enters unseen into a molecular transporter with which he is experimenting, resulting in his atoms being combined with those of the insect.
A scientist has a horrific accident when he tries to use his newly invented teleportation device. After her husband Andre Delambre is crushed to death in a mechanical press, his wife recounts to his brother Francois Delambre and police Inspector Charas the events of the previous few months.
Slowly losing himself to the fly, Delambre turns to his wife, Helene (Patricia Owens), for help. But when tragedy strikes, Delambre's brother (Vincent Price) and Inspector Charas (Herbert...
- (43)
- Horror, Sci-Fi
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When scientist Seth Brundle (Jeff Goldblum) completes his teleportation device, he decides to test its abilities on himself. Unbeknownst to him, a housefly slips in during the process, leading to...
- (75)
- Horror, Sci-Fi
- R
When science goes berserk, The Fly finds Hedison as scientist Andre Delambre, who after successfully inventing the ability to transmit matter from one place to another - falls prey to a cruel slice of horrific fate...
Partindo do conto homónimo de George Langelaan e da adaptação cinematográfica de 1958 e com Jeff Goldblum e Geena Davis como protagonistas, The Fly é uma obra cheia de camadas, igualmente desconfortável e fascinante e que se tornou num grande sucesso comercial.
The Fly is a study in how the boldness of new discoveries is compromised by science’s need for precision, but it’s also a nightmarish tale of a comfortable little family, and a nagging little buzz.
Infinitely subtler than the admittedly excellent 1986 remake, the 1958 The Fly is one of the definitive big-budget horror films of its decade. Best bit: the prismatic fly's eye view of the screaming Patricia Owens.