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Iain Softley (Londres, 30 de novembro de 1956) é um diretor de cinema britânico. Frequentou o Colégio St Benedict, Ealing, e o Queens' College, Universidade de Cambridge, onde se tornou membro do clube acadêmico de artes dramáticas e dirigiu peças altamente elogiadas.
Iain Declan Softley (born 30 November 1956) is an English film director, producer, and screenwriter. His films include Backbeat, Hackers, The Wings of the Dove, K-PAX, The Skeleton Key, Inkheart and the BBC adaptation of Sadie Jones's novel The Outcast.
Iain Softley est un réalisateur britannique né le 30 novembre 1958. Il a effectué son cursus scolaire au Queens' College, de Cambridge . Il a également réalisé le clip de Toni Braxton, How Could An Angel Break My Heart . Filmographie. 1994 : Backbeat : Cinq Garçons dans le vent. 1995 : Hackers.
Recently viewed. Iain Softley. Director: Backbeat. Softley was educated at St Benedict's School, Ealing, London, and Queens' College, Cambridge University, where he was a member of the college's dramatic society, the BATS, and directed a number of highly-praised theatrical productions.
- January 1, 1
- 1 min
- London, England, UK
Iain Declan Softley (Chiswick, Londres, 28 de octubre de 1954) es un director de cine, productor y guionista inglés. Sus películas más conocidas son Backbeat , Hackers , Las alas de la paloma , K-PAX , La Llave del Mal , y la adaptación de BBC de la novela de Sadie Jones The Outcast.
Overview. Born. 1958 · London, England, UK. Mini Bio. Softley was educated at St Benedict's School, Ealing, London, and Queens' College, Cambridge University, where he was a member of the college's dramatic society, the BATS, and directed a number of highly-praised theatrical productions.
Curve is a 2015 American horror - thriller film directed by Iain Softley and written by Kimberly Lofstrom Johnson and Lee Patterson. It stars Julianne Hough and Teddy Sears. It was produced by Jason Blum for his Blumhouse Productions banner. The film had its world premiere at the Film4 Fright Fest on August 31, 2015. [1] .
