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  1. Portrait of Laura Dianti is a c. 1520–25 painting by Titian, now held in the H. Kisters Collection at Kreuzlingen. It is signed " TICI/ANVS F. " The portrait features Laura Dianti , mistress, and later wife of the Duke of Ferrara Alfonso I d'Este and an African page.

  2. 9 de mar. de 2022 · Portrait of Laura Dianti is a c. 1520–25 painting by Titian, now held in the H. Kisters Collection at Kreuzlingen. It is signed "TICI/ANVS F." and depicts Laura Dianti, lover and later wife of Alfonso I d'Este.

    • Kisters Collection, Kreuzlingen, Switzerland
  3. en.wikipedia.org › wiki › Laura_DiantiLaura Dianti - Wikipedia

    Titian: Portrait of Laura Dianti, 1523. Laura Dianti (Early sixteenth century in Ferrara – 25 June 1573 in Ferrara, Italy) was a lover of Alfonso I d'Este, Duke of Ferrara after the death of his wife Lucrezia Borgia. She was probably also his third wife. She was also known under the pseudonym Eustochia. References

  4. This painting is a partial replica of the portrait painted by Titian in about 1523 (Kisters Collection, Kreuzlingen). The sitter, Laura Dianti (c. 1480–1573), became the lover of Alfonso I d’Este (1476–1534) after the death of his second wife, Lucrezia Borgia (1519).

  5. Laura Dianti. Datos principales. Autor. Tiziano Vecellio. Fecha. 1520 h. Escuela. Venecia. Estilo. Renacimiento Italiano. Material. Oleo sobre lienzo. Dimensiones. 118 x 93 cm. Museo. Colección Particular. Contenidos relacionados.

  6. The pre-pubescent page in Titian’s portrait of Laura Dianti (see figure 4) has been described as an objectified “luxury item,” and a Black person working at any court was apparently only “a curious ornament or a diverting toy.”

  7. 14 de mar. de 2012 · This study also considers Titian's portrait of the duke's plebeian mistress, Laura Dianti (ca. 1500–1573), whose image visually complements that of her noble lover in an unprecedented manner. I argue that Laura's image functioned to extend the ducal identity to express his passion for beautiful painting and his engagement with ...